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<blockquote data-quote="Nisala88" data-source="post: 7638309" data-attributes="member: 8045"><p><a href="http://img4.imageshack.us/i/shutterislandposter.jpg/" target="_blank"><img src="http://img4.imageshack.us/img4/3890/shutterislandposter.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></a></p><p></p><p></p><p>Shutter Island is a Drama/Thriller Movie directed by Martin Scorsese for Paramount Pictures.</p><p></p><p>Shutter Island, we are told is a remote and craggy island off Boston, where a Civil War-era fort has been adapted as a prison for the criminally insane.We approach it by boat through lowering skies, Looming in gloom from the sea, it fills the visitor with dread. To this island travel U.S. marshal Teddy Daniels (Leonardo DiCaprio) and his partner Chuck Aule (Mark Ruffalo).</p><p></p><p>It's 1954, and they are assigned to investigate the disappearance of a child murderer (Emily Mortimer). There seems to be no way to leave the island alive. The disappearance of one prisoner might not require the presence of two marshals unfamiliar with the situation, but we never ask that question. Not after the ominous walls of the prison arise. Not after the visitors are shown into the office of the prison medical director, Dr. Cawley, played by Ben Kingsley with that forbidding charm he has mastered.</p><p></p><p>It's clear that Teddy has no idea what he's getting himself into. Teddy -- such an innocuous name in such a gothic setting. Scorsese, working from a novel by Dennis Lehane, seems to be telling a simple enough story here; the woman is missing, and Teddy and Chuck will look for her. But the cold, gray walls clamp in on them, and the offices of Cawley and his colleagues, furnished for the Civil War commanding officers, seem borrowed from a tale by Edgar Allan Poe.</p><p></p><p>Scorsese the craftsman chips away at reality piece by piece. Flashbacks suggest Teddy's traumas in the decade since World War II. That war, its prologue and aftermath, supplied the dark undercurrent of classic film noir. The term "post-traumatic shock syndrome" was not then in use, but its symptoms could be seen in men attempting to look confident in their facades of unstyled suits, subdued ties, heavy smoking and fedoras pulled low against the rain. DiCaprio and Ruffalo both affect this look, but DiCaprio makes it seem more like a hopeful disguise.</p></blockquote><p></p>
[QUOTE="Nisala88, post: 7638309, member: 8045"] [URL=http://img4.imageshack.us/i/shutterislandposter.jpg/][IMG]http://img4.imageshack.us/img4/3890/shutterislandposter.jpg[/IMG][/URL] Shutter Island is a Drama/Thriller Movie directed by Martin Scorsese for Paramount Pictures. Shutter Island, we are told is a remote and craggy island off Boston, where a Civil War-era fort has been adapted as a prison for the criminally insane.We approach it by boat through lowering skies, Looming in gloom from the sea, it fills the visitor with dread. To this island travel U.S. marshal Teddy Daniels (Leonardo DiCaprio) and his partner Chuck Aule (Mark Ruffalo). It's 1954, and they are assigned to investigate the disappearance of a child murderer (Emily Mortimer). There seems to be no way to leave the island alive. The disappearance of one prisoner might not require the presence of two marshals unfamiliar with the situation, but we never ask that question. Not after the ominous walls of the prison arise. Not after the visitors are shown into the office of the prison medical director, Dr. Cawley, played by Ben Kingsley with that forbidding charm he has mastered. It's clear that Teddy has no idea what he's getting himself into. Teddy -- such an innocuous name in such a gothic setting. Scorsese, working from a novel by Dennis Lehane, seems to be telling a simple enough story here; the woman is missing, and Teddy and Chuck will look for her. But the cold, gray walls clamp in on them, and the offices of Cawley and his colleagues, furnished for the Civil War commanding officers, seem borrowed from a tale by Edgar Allan Poe. Scorsese the craftsman chips away at reality piece by piece. Flashbacks suggest Teddy's traumas in the decade since World War II. That war, its prologue and aftermath, supplied the dark undercurrent of classic film noir. The term "post-traumatic shock syndrome" was not then in use, but its symptoms could be seen in men attempting to look confident in their facades of unstyled suits, subdued ties, heavy smoking and fedoras pulled low against the rain. DiCaprio and Ruffalo both affect this look, but DiCaprio makes it seem more like a hopeful disguise. [/QUOTE]
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