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ElaKiri Talk!
13 Photographs That Changed the World
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<blockquote data-quote="Supunqw" data-source="post: 6640961" data-attributes="member: 225222"><p><strong><span style="font-size: 10px"><span style="color: Red">3. The Photograph That Brought the Battlefield Home "Federal Dead on the Field of Battle of First Day, Gettysburg, Pennsylvania" Mathew Brady, 1863</span></span></strong></p><p><strong><span style="font-size: 10px"></span></strong></p><p><strong><span style="font-size: 10px"><img src="http://neatorama.cachefly.net/images/2006-12/brady-federal-dead-battle-gettysburg.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></span></strong></p><p><strong><span style="font-size: 10px"></span></strong></p><p><strong><span style="font-size: 10px">As one of the world’s first war photographers, Mathew Brady didn’t start</span></strong></p><p><strong><span style="font-size: 10px">out having as action-packed a career as you might think. A successful daguerreotypist and a distinguished gentleman, Brady was known for his portraits of notable people such as Abraham Lincoln and Robert E. Lee. In other words, he was hardly a photojournalist in the trenches.</span></strong></p><p><strong><span style="font-size: 10px"></span></strong></p><p><strong><span style="font-size: 10px">In fact, Brady had everything to lose by making a career move – his money, his business, and quite possibly his life. Nevertheless, he decided to risk it all and follow the Union Army into battle with his camera, saying, "A spirit in my feet said, ‘Go!’" And go he did – at least until he got a good look at the pointy end of a Confederate bayonet.</span></strong></p><p><strong><span style="font-size: 10px"></span></strong></p><p><strong><span style="font-size: 10px">After narrowly escaping capture at the first Battle of Bull Run, Brady’s chatty feet quieted down a bit, and he began sending assistants in his place. In the span of only a few years, Brady and his team shot more than 7,000 photographs – an astounding number when you consider that developing a single plate required a horse-drawn-wagon-full of cumbersome equipment and noxious chemicals. Not exactly what you’d call "point-and-shoot."</span></strong></p><p><strong><span style="font-size: 10px"></span></strong></p><p><strong><span style="font-size: 10px">Tethered as he was to his equine-powered darkroom and with film speeds being much slower then, Brady produced war photos that are understandably light on the action and heavy on the aftermath. Still, they mark the first time Americans were so immediately confronted with the grim realities of the battlefield.</span></strong></p></blockquote><p></p>
[QUOTE="Supunqw, post: 6640961, member: 225222"] [B][SIZE=2][COLOR=Red]3. The Photograph That Brought the Battlefield Home "Federal Dead on the Field of Battle of First Day, Gettysburg, Pennsylvania" Mathew Brady, 1863[/COLOR] [IMG]http://neatorama.cachefly.net/images/2006-12/brady-federal-dead-battle-gettysburg.jpg[/IMG] As one of the world’s first war photographers, Mathew Brady didn’t start out having as action-packed a career as you might think. A successful daguerreotypist and a distinguished gentleman, Brady was known for his portraits of notable people such as Abraham Lincoln and Robert E. Lee. In other words, he was hardly a photojournalist in the trenches. In fact, Brady had everything to lose by making a career move – his money, his business, and quite possibly his life. Nevertheless, he decided to risk it all and follow the Union Army into battle with his camera, saying, "A spirit in my feet said, ‘Go!’" And go he did – at least until he got a good look at the pointy end of a Confederate bayonet. After narrowly escaping capture at the first Battle of Bull Run, Brady’s chatty feet quieted down a bit, and he began sending assistants in his place. In the span of only a few years, Brady and his team shot more than 7,000 photographs – an astounding number when you consider that developing a single plate required a horse-drawn-wagon-full of cumbersome equipment and noxious chemicals. Not exactly what you’d call "point-and-shoot." Tethered as he was to his equine-powered darkroom and with film speeds being much slower then, Brady produced war photos that are understandably light on the action and heavy on the aftermath. Still, they mark the first time Americans were so immediately confronted with the grim realities of the battlefield.[/SIZE][/B] [/QUOTE]
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