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COPY CAT 3 ( lajjawak aththema nadda?)
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<blockquote data-quote="SHAPE_SHIFTER_007" data-source="post: 15520219" data-attributes="member: 445137"><p style="text-align: center">කොහෙ කරි වරදක් වෙලා තියෙනවා නම් <span style="font-size: 12px"><span style="font-size: 10px">එක තැනක කරපු වරදකට, සමස්ථ කතෝලිකයන්වම ගාව ගන්න එක වැරදි.</span></span> හැබැයි මෙතන එහෙම දෙයක් වෙලා නෑ නේද?</p> <p style="text-align: center"></p> <p style="text-align: center"><span style="font-size: 15px"><span style="font-size: 18px">හැබැයි මෙතන නම් මේවා එෆ්.බී දාපු පොර පටලවගෙන වගෙ. නැත්තන් දැන් දැනම බොරු ප්රශ්ණ ඇති කරවන්ඩ කරපු උත්සාහයක්.</span></span></p> <p style="text-align: center"><span style="font-size: 15px"></span></p> <p style="text-align: center"><span style="font-size: 15px"></span><p style="text-align: left"></p> <ul style="text-align: left"> <li data-xf-list-type="ul"><span style="font-family: 'Tahoma'"><strong>Sandakada pahana</strong>, also known as Moon-stone, is a unique feature of the <a href="http://en.wikipedia.org/wiki/Architecture_of_ancient_Sri_Lanka" target="_blank"><strong><span style="color: Red">Sinhalese architecture of ancient Sri Lanka.</span></strong></a> It is an elaborately carved semi-circular stone slab, usually placed at the bottom of staircases and entrances. First seen in the latter stage of the Anuradhapura period, the sandakada pahana evolved through the Polonnaruwa, Gampola and Kandy period. According to historians, the sandakada pahana symbolises the cycle of <a href="http://en.wikipedia.org/wiki/Sa%E1%B9%83s%C4%81ra_%28Buddhism%29" target="_blank">Saṃsāra</a> in <a href="http://en.wikipedia.org/wiki/Buddhism" target="_blank"><span style="color: Red"><strong>Buddhism</strong></span></a>.</span></li> <li data-xf-list-type="ul"><span style="font-family: 'Tahoma'"> The first sandakada pahanas were created during the latter stage of the ancient <a href="http://en.wikipedia.org/wiki/Anuradhapura_Kingdom" target="_blank">Anuradhapura Kingdom</a>. They were <span style="color: Red">only placed at entrances to Buddhist temples <strong>during this period</strong></span>.</span></li> <li data-xf-list-type="ul"><span style="font-family: 'Tahoma'"> The Anuradhapura tradition of placing sandakada pahanas only at entrances to Buddhist temples also <span style="color: Red"><strong>changed</strong></span>, and they are <strong><span style="color: Red">found at the entrances of other buildings belonging to the Polonnaruwa period</span></strong> as well.</span></li> <li data-xf-list-type="ul"><span style="font-family: 'Tahoma'"> According to Paranavitana, the <span style="color: Red"><strong>sandakada pahana symbolises the cycle of <a href="http://en.wikipedia.org/wiki/Sa%E1%B9%83s%C4%81ra_%28Buddhism%29" target="_blank">Saṃsāra</a>.</strong></span> The <em>liyavel</em> symbolise worldly desires (<a href="http://en.wikipedia.org/wiki/Ta%E1%B9%87h%C4%81" target="_blank">Taṇhā</a>) and the lotus depicts the final achievement of <a href="http://en.wikipedia.org/wiki/Nirvana" target="_blank">Nirvana</a>.<a href="http://en.wikipedia.org/wiki/Sandakada_pahana#cite_note-14" target="_blank">[14]</a> The elephant, bull, lion and horse depict birth, decay, disease and death respectively, while the swans symbolise the distinction between good and bad.</span></li> </ul> <p style="text-align: left"></p> <p style="text-align: left"><span style="font-size: 12px"></span></p> <p style="text-align: left"><span style="font-size: 12px"></span><p style="text-align: center"><span style="font-size: 18px">සදකඩ පහණ බෞද්ධ ධර්මයට සම්භන්ද සිංහල සංස්කෘතියට අදාල දෙයක්. ඉතින් ඒකට නිගරුවක් නැතුව පාවිච්චි කාරන එකේ වරදක් නෑ නේද?</span></p> <p style="text-align: center"><span style="font-size: 18px"></span> </p></p> <p style="text-align: left"></p> <p style="text-align: left"></p> <p style="text-align: left"></p> <ul style="text-align: left"> <li data-xf-list-type="ul"> <span style="font-family: 'Tahoma'"><span style="font-size: 10px"><span style="color: Red"><strong>Sesath</strong></span> or <strong><span style="color: Red">traditional Sinhalese umbrellas</span></strong> have a long history behind them. Although today largely<span style="color: Red"> <strong>used as <em>home decor</em></strong></span> and <span style="color: Red"><strong><em>at ceremonial observances such as peraheras</em></strong></span>, the sesatha of yore had a functional as well as a ritual value. The olden-day sesath appear to have been invariably white as is suggested by the term sesatha itself which is derived from the Sanskritic shveta-chatra or 'white umbrella'. Such white umbrellas are said to be still found in the homes of old Kandyan families. Besides serving as a sunshade borne by the attendants of aristocracy, the sesath could also be said to have indicated a man's status in society.</span></span></li> </ul> <p style="text-align: left"></p><p style="text-align: center"><span style="font-size: 12px"><span style="font-size: 18px">ඔන්න සේසතෙ කථන්දරෙ.</span></span></p> <p style="text-align: center"><span style="font-size: 12px"></span></p> <p style="text-align: center"><span style="font-size: 12px"></span></p> <p style="text-align: center"><span style="font-size: 12px"></span></p> <p style="text-align: center"><span style="font-size: 12px"></span></p> </p> </p></blockquote><p></p>
[QUOTE="SHAPE_SHIFTER_007, post: 15520219, member: 445137"] [CENTER]කොහෙ කරි වරදක් වෙලා තියෙනවා නම් [SIZE=3][SIZE=2]එක තැනක කරපු වරදකට, සමස්ථ කතෝලිකයන්වම ගාව ගන්න එක වැරදි.[/SIZE][/SIZE] හැබැයි මෙතන එහෙම දෙයක් වෙලා නෑ නේද? [SIZE=4][SIZE=5]හැබැයි මෙතන නම් මේවා එෆ්.බී දාපු පොර පටලවගෙන වගෙ. නැත්තන් දැන් දැනම බොරු ප්රශ්ණ ඇති කරවන්ඩ කරපු උත්සාහයක්.[/SIZE] [/SIZE][LEFT] [LIST] [*][FONT=Tahoma][B]Sandakada pahana[/B], also known as Moon-stone, is a unique feature of the [URL="http://en.wikipedia.org/wiki/Architecture_of_ancient_Sri_Lanka"][B][COLOR=Red]Sinhalese architecture of ancient Sri Lanka.[/COLOR][/B][/URL] It is an elaborately carved semi-circular stone slab, usually placed at the bottom of staircases and entrances. First seen in the latter stage of the Anuradhapura period, the sandakada pahana evolved through the Polonnaruwa, Gampola and Kandy period. According to historians, the sandakada pahana symbolises the cycle of [URL="http://en.wikipedia.org/wiki/Sa%E1%B9%83s%C4%81ra_%28Buddhism%29"]Saṃsāra[/URL] in [URL="http://en.wikipedia.org/wiki/Buddhism"][COLOR=Red][B]Buddhism[/B][/COLOR][/URL].[/FONT] [*][FONT=Tahoma] The first sandakada pahanas were created during the latter stage of the ancient [URL="http://en.wikipedia.org/wiki/Anuradhapura_Kingdom"]Anuradhapura Kingdom[/URL]. They were [COLOR=Red]only placed at entrances to Buddhist temples [B]during this period[/B][/COLOR].[/FONT] [*][FONT=Tahoma] The Anuradhapura tradition of placing sandakada pahanas only at entrances to Buddhist temples also [COLOR=Red][B]changed[/B][/COLOR], and they are [B][COLOR=Red]found at the entrances of other buildings belonging to the Polonnaruwa period[/COLOR][/B] as well.[/FONT] [*][FONT=Tahoma] According to Paranavitana, the [COLOR=Red][B]sandakada pahana symbolises the cycle of [URL="http://en.wikipedia.org/wiki/Sa%E1%B9%83s%C4%81ra_%28Buddhism%29"]Saṃsāra[/URL].[/B][/COLOR] The [I]liyavel[/I] symbolise worldly desires ([URL="http://en.wikipedia.org/wiki/Ta%E1%B9%87h%C4%81"]Taṇhā[/URL]) and the lotus depicts the final achievement of [URL="http://en.wikipedia.org/wiki/Nirvana"]Nirvana[/URL].[URL="http://en.wikipedia.org/wiki/Sandakada_pahana#cite_note-14"][14][/URL] The elephant, bull, lion and horse depict birth, decay, disease and death respectively, while the swans symbolise the distinction between good and bad.[/FONT] [/LIST] [SIZE=3] [/SIZE][CENTER][SIZE=5]සදකඩ පහණ බෞද්ධ ධර්මයට සම්භන්ද සිංහල සංස්කෘතියට අදාල දෙයක්. ඉතින් ඒකට නිගරුවක් නැතුව පාවිච්චි කාරන එකේ වරදක් නෑ නේද? [/SIZE] [/CENTER] [LIST] [*] [FONT=Tahoma][SIZE=2][COLOR=Red][B]Sesath[/B][/COLOR] or [B][COLOR=Red]traditional Sinhalese umbrellas[/COLOR][/B] have a long history behind them. Although today largely[COLOR=Red] [B]used as [I]home decor[/I][/B][/COLOR] and [COLOR=Red][B][I]at ceremonial observances such as peraheras[/I][/B][/COLOR], the sesatha of yore had a functional as well as a ritual value. The olden-day sesath appear to have been invariably white as is suggested by the term sesatha itself which is derived from the Sanskritic shveta-chatra or 'white umbrella'. Such white umbrellas are said to be still found in the homes of old Kandyan families. Besides serving as a sunshade borne by the attendants of aristocracy, the sesath could also be said to have indicated a man's status in society.[/SIZE][/FONT] [/LIST] [CENTER][SIZE=3][SIZE=5]ඔන්න සේසතෙ කථන්දරෙ.[/SIZE] [/SIZE][/CENTER] [/LEFT] [/CENTER] [/QUOTE]
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Hathara warak wissa keeyada? (Hathara wadi karanna 20)
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