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Message: <blockquote data-quote="uploader_elakiri" data-source="post: 11679659" data-attributes="member: 385502">Peter Green - The Anthology (2008)<img src="http://preview.filesonic.com/img/70/ca/4e/3430621.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" />Peter Green - The Anthology (4CDs Deluxe Box Set, 2008)EAC Rip | FLAC (Image) + CUE + LOG  | HQ Cover & Scans of a whole book | 270:51 minutes | 1,62 GBGenre: Blues / Blues Rock | Label: Salvo / Union Square Music Ltd. | Catalog Number: SALVO BX404This 2008's four CD set, the most extensive retrospective look at Peter Green's truly legendary career. The set contains essential Peter Green music drawn from all stages of his career. From his first tentative recordings with the likes of Peter Bardens and John Mayall, it moves through the genesis of Fleetwood Mac and the band's many classic blues recordings including "Ramblin' Pony" and "Black Magic Woman". Fleetwood Mac's subsequent blues and rock fusion chart hits - titles like the utterly unique "Albatross", "Oh Well" and the haunting "Man Of The World" - are all included, as is the best of his later solo work and Splinter Group recordings. The set is stylishly packaged in a hardback digicase with 64-page booklet containing enlightening liner notes, rare photographs, memorabilia, plus commentary and artwork from Peter himself. Quite simply, this is the ultimate Peter Green collection - a special release befitting a special musician and songwriter who is rightly one of the most revered blues guitarists of all time.Peter Green is a British blues-rock guitarist and best known as the founder of the band Fleetwood Mac. A major figure and bandleader in the "second great epoch" of the British blues movement, Green inspired B. B. King to say, "He has the sweetest tone I ever heard; he was the only one who gave me the cold sweats". Eric Clapton and Jimmy Page have both lauded his guitar playing as well. Green's playing was marked with idiomatic string bending and vibrato and economy of style. Though he played other guitars, he is best known for deriving a unique tone from his 1959 Gibson Les Paul. He was ranked 38th in Rolling Stone's list of the "100 Greatest Guitarists of All Time". His tone on the seminal song "The Super-Natural" was hailed as one of the fifty greatest of all time by Guitar Player. In June 1996 Green was rated as the third-best guitarist of all time in Mojo magazine.His career riddled by drug abuse and paranoia, Peter Green is still regarded by some fans as the greatest white blues guitarist ever, Eric Clapton notwithstanding. As he grew up in London's working-class East End, Green's early musical influences were Hank B. Marvin of the Shadows, Muddy Waters, B.B. King, Freddie King, and traditional Jewish music. Born Peter Greenbaum but calling himself Peter Green by age 15, he played bass before being invited in 1966 by keyboardist Peter Bardens to play lead in the Peter B's, whose drummer was a lanky chap named Mick Fleetwood. The 19-year-old Green was with Bardens just three months before joining John Mayall's Bluesbreakers, whose rapidly shifting personnel included bassist John McVie and drummer Aynsley Dunbar. A keen fan of Clapton, Green badgered Mayall to give him a chance when the Bluesbreakers guitarist split for an indefinite vacation in Greece. Green sounded great and, as Mayall recalls, was not amused when Clapton returned after a handful of gigs, and Green was out. When Clapton left the band for good six months later to form Cream, Mayall cajoled Green back. Fans were openly hostile because Green was not God, although they appreciated Clapton's replacement in time. Producer Mike Vernon was aghast when the Bluesbreakers showed up without Clapton to record the album A Hard Road in late 1966, but was won over by Green's playing. On many tracks you'd be hard-pressed to tell it wasn't Clapton playing. With an eerie Green instrumental called "The Supernatural," he demonstrated the beginning of his trademark fluid, haunting style so reminiscent of B.B. King. When Green left Mayall in 1967, he took McVie and Fleetwood to found Peter Green's Fleetwood Mac. Jeremy Spencer and Danny Kirwan shortly afterward gave Fleetwood Mac an unusual three-guitar front line. Green was at his peak for the albums Mr. Wonderful, English Rose, Then Play On, and a live Boston Tea Party recording. His instrumental "Albatross" was the band's first British number one single and "Black Magic Woman" was later a huge hit for Carlos Santana. But Green had been experimenting with acid and his behavior became increasingly irrational, especially after he disappeared for three days of rampant drug use in Munich. He became very religious, appearing on-stage wearing crucifixes and flowing robes. His bandmates resisted Green's suggestion to donate most of their money to charity, and he left in mid-1970 after writing a harrowing biographical tune called "The Green Manalishi." After a bitter, rambling solo album called The End of the Game, Green saddened fans when he hung up his guitar, except for helping the Mac complete a tour when Spencer suddenly joined the Children of God in Los Angeles and quit the band. Green's chaotic odyssey of almost a decade included rumors that he was a gravedigger, a bartender in Cornwall, a hospital orderly, and a member of an Israeli commune. When an accountant sent him an unwanted royalty check, Green confronted his tormentor with a gun, although it was unloaded. Green went to jail briefly before being transferred to an asylum. Green emerged in the late '70s and early '80s with albums In the Skies, Little Dreamer, White Sky, and Kolors, featuring at times Bardens, Robin Trower drummer Reg Isidore, and Fairport Convention drummer Dave Mattacks. He reprised the Then Play On Mac standard "Rattlesnake Shake" on Fleetwood's solo 1981 album, The Visitor. British author Martin Celmins wrote Green's biography in 1995. Psychologically troubled, on medication, and hardly playing the guitar for most of the '90s, the reclusive Green resumed sporadic recording in the second half of the decade. He surfaces unexpectedly from time to time, most prominently January 12, 1998, when Fleetwood Mac was inducted into the Rock & Roll Hall of Fame. In a rare, perfect moment, Green jammed with fellow inductee Santana on "Black Magic Woman."allmusic.com biography by Mark AllanTracks - Disc One:01. Evil Woman Blues (with John Mayall)02. The Stumble (with John Mayall's Bluesbreakers)03. Sitting In The Rain (with John Mayall's Bluesbreakers)04. The World Keep On Turning (with Fleetwood Mac)05. The Supernatural (with John Mayall's Bluesbreakers)06. Looking For Somebody (with Fleetwood Mac)07. Long Grey Mare (feat. Bob Brunning with Fleetwood Mac)08. Stop Messin' Around (with Fleetwood Mac)09. Train Is Coming (with Eddie Boyd & His Blues Band)10. Greeny (with John Mayall's Bluesbreakers)11. Soul Dressing (with Peter B's Looners)12. I Loved Another Woman (with Fleetwood Mac)13. No Place To Go (with Fleetwood Mac)14. You Don't Love Me (with John Mayall's Bluesbreakers)15. Lazy Poker Blues (with Fleetwood Mac)16. Merry Go Round (with Fleetwood Mac)17. Trying So Hard To Forget (with Duster Bennett)18. Ramblin' Pony (with Fleetwood Mac)19. Drifting (with Fleetwood Mac)EAC-LOGTracks - Disc Two:01. Black Magic Woman (with Fleetwood Mac)02. Albatross (with Fleetwood Mac)03. Ain't Nobody's Business (with Otis Spann)04. Someday Baby (with Fleetwood Mac at Blues Jam At Chess)05. Watch Out (with Fleetwood Mac at Blues Jam At Chess)06. Ooh Baby (with Fleetwood Mac at Blues Jam At Chess)07. Horton's Boogie Woogie - Take One (with Walter Horton , Otis Spann & S.P.Leary at Blues Jam At Chess)08. Love That Burns (with Fleetwood Mac)09. First Train Home (with Fleetwood Mac)10. Need Your Love So Bad (with Fleetwood Mac)11. Don't Goof With The Spook (with Peter Bardens)12. The Answer (with Peter Bardens)13. Homage To The God Of Light (with Peter Bardens)14. Oh Well Part 1 and Part 2 (with Fleetwood Mac)EAC-LOGTracks - Disc Three:01. Man Of The World (with Fleetwood Mac)02. Before The Bginning (with Fleetwood Mac)03. Momma Don'tcha Cry (Peter Green, solo)04. Underway (with Fleetwood Mac)05. Rattlesnake Shake (with Fleetwood Mac)06. It's Gonna Be Me (Peter Green, solo)07. White Sky (love that evil woman) (with Fleetwood Mac)08. The Green Manalishi (with The Two Prong Crown & Fleetwod Mac)09. Show-biz Blues (with Fleetwood Mac)10. In The Skies (Peter Green, solo)11. Like A Hot Tornado (Peter Green, solo)12. Whatcha Gonna Do* (Peter Green, solo)13. Carry My Love (Peter Green, solo)14. Corners Of My Mind (Peter Green, solo)15. Hidden Depth (Peter Green feat. Zoot Money)EAC-LOGTracks - Disc Four:01. Big Chance Is Gonna Come (with Splinter Group)02. I'm A Steady Rollin' Man (with Nigel Watson & Splinter Group feat. Otis Rush)03. It Takes Time (with Splinter Group)04. Don't Walk Away (with Splinter Group)05. Heart Of Stone (with Splinter Group)06. Love in Vain Blues (with Nigel Watson & Splinter Group)07. From Four Until Late (with Nigel Watson & Splinter Group feat. Dr.John)08. I'm Ready For You (with Splinter Group)09. Cruel Contradictions (with Dick Heckstall-Smith)10. Me And The Devil Blues (with Nigel Watson & Splinter Group)11. Cross Road Blues (with Nigel Watson & Splinter Group feat. Buddy Guy)12. Dead Shrimp Blues (with Nigel Watson & Splinter Group feat. Hubert Sumlin)13. Travelling Reverside Blues (with Nigel Watson & Splinter Group feat. Joe Louis Walker & Honey Boy Edwards)14. Time Keeps Slipping Away (with Splinter Group)15. Look Out For Yourself (with Splinter Group)16. Albatross (with Chris Coco)Download [code]http://filesonic.com/file/4037416734/PGAnthology.part1.rarhttp://filesonic.com/file/4037418134/PGAnthology.part2.rarhttp://filesonic.com/file/4037418494/PGAnthology.part3.rarhttp://filesonic.com/file/4037423324/PGAnthology.part4.rarhttp://filesonic.com/file/4037421114/PGAnthology.part5.rar[/code]</blockquote>

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