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ElaKiri Talk!
Pictures That Change The World.....
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<blockquote data-quote="gayankuwait" data-source="post: 9709599" data-attributes="member: 312790"><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: red">Enjoy....</span></span></span></p><p><span style="font-size: 12px"></span></p><p><span style="font-size: 12px"></span></p><p><span style="font-size: 12px"></span><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">1 :~ The Photograph That Raised the Photojournalistic Stakes:</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">“Omaha Beach, Normandy, France” Robert Capa, 1944</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"><img src="http://i944.photobucket.com/albums/ad282/iamjeet/10-Photographs-That-Changed-the-World.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">“If your pictures aren’t good enough,” war photographer Robert Capa used to say, “you aren’t close enough.” Words to die by, yes, but the man knew of what he spoke. After all, his most memorable shots were taken on the morning of D-Day, June 6, 1944, when he landed alongside the first waves of infantry at Omaha Beach.</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">2 :~ The Photograph That Gave a Face to the Great Depression</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">“Migrant Mother” Dorothea Lange, 1936</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"><img src="http://i944.photobucket.com/albums/ad282/iamjeet/migrant-mother.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">As era-defining photographs go, “Migrant Mother” pretty much takes the cake. For many, Florence Owens Thompson is the face of the Great Depression, thanks to legendary educated and apprenticed photojournalist Dorothea Lange. Lange captured the image while visiting a dusty California pea-pickers’ camp in February 1936, and in doing so, captured the resilience of a proud nation facing desperate times.</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">3 :~ The Photograph That Brought the Battlefield Home</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">“Federal Dead on the Field of Battle of First Day, Gettysburg, Pennsylvania” Mathew Brady, 1863</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"><img src="http://i944.photobucket.com/albums/ad282/iamjeet/brady-federal-dead-battle-gettysburg.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">As one of the world’s first war photographers, Mathew Brady didn’t start</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">out having as action-packed a career as you might think. A successful daguerreotypist and a distinguished gentleman, Brady was known for his portraits of notable people such as Abraham Lincoln and Robert E. Lee. In other words, he was hardly a photojournalist in the trenches.</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">4 :~ The Photograph That Ended a War But Ruined a Life</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">“Murder of a Vietcong by Saigon Police Chief” Eddie Adams, 1968</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"><img src="http://i944.photobucket.com/albums/ad282/iamjeet/murder-vietcong-saigon-police-chief-eddie-adams.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">“Still photographs are the most powerful weapon in the world,” AP photojournalist Eddie Adams once wrote. A fitting quote for Adams, because his 1968 photograph of an officer shooting a handcuffed prisoner in the head at point-blank range not only earned him a Pulitzer Prize in 1969, but also went a long way toward souring Americans’ attitudes about the Vietnam War.</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">5 :~ The Photograph That Isn’t as Romantic as You Might Think</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">“V-J Day, Times Square, 1945″, a.k.a. “The Kiss”Alfred Eisenstaedt, 1945</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"><img src="http://i944.photobucket.com/albums/ad282/iamjeet/v-j-day-kiss-eisenstaedt.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">On August 14, 1945, the news of Japan’s surrender was announced in the United States, signaling the end of World War II. Riotous celebrations erupted in the streets, but perhaps none were more relieved than those in uniform. Although many of them had recently returned from victory in</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">Europe, they faced the prospect of having to ship out yet again, this time to the bloody Pacific</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">6 :~ The Photograph That Destroyed an Industry</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">“Hindenburg” Murray Becker, 1937</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"><img src="http://i944.photobucket.com/albums/ad282/iamjeet/hindenburg-murray-becker.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">Forget the Titanic, the Lusitania, and the comparatively unphotogenic accident at Chernobyl. Thanks to the power of images, the explosion of the Hindenburg on May 6, 1937, claims the dubious honor of being the quintessential disaster of the 20th century.</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">7 :~ The Photograph That Saved the Planet</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">“The Tetons – Snake River” Ansel Adams, 1942</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"><img src="http://i944.photobucket.com/albums/ad282/iamjeet/the-tetons-snake-river-ansel-adams.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">Some claim photography can be divided into two eras: Before Adams and After Adams. In Times B.A., for instance, photography wasn’t widely considered an art form. Rather, photographers attempted to make their pictures more “artistic” (i.e., more like paintings) by subjecting their exposures to all sorts of extreme manipulations, from coating their lenses with petroleum jelly to scratching the surfaces of their negatives with needles. Then came Ansel Adams, helping shutterbugs everywhere get over their collective inferiority complex.</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">8 :~ The Photograph That Kept Che Alive</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">“The Corpse of Che Guevara” Freddy Alborta, 1967</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"><img src="http://i944.photobucket.com/albums/ad282/iamjeet/che-corpse-freddy-alborta-1.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">Sociopathic thug? Socialist luminary? Or as existentialist Jean-Paul Sartre called him, “the most complete human being of our age”? Whatever you believe, there’s no denying that Ernesto “Che” Guevara has become the patron saint of revolutionaries. Undeniably, he is a man of mythical status – a reputation that persists less because of how he lived than because of how he died.</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">9 :~ The Photograph that Allowed Geniuses to Have a Sense of Humor</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">“Einstein with his Tongue Out” Arthur Sasse, 1951</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"><img src="http://i944.photobucket.com/albums/ad282/iamjeet/einstein-tongue-out.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">You may appreciate this memorable portrait as much as the next fellow, but it’s still fair to wonder: “Did it really change history?” Rest assured, we think it did. While Einstein certainly changed history with his contributions to nuclear physics and quantum mechanics, this photo changed the way history looked at Einstein. By humanizing a man known chiefly for his brilliance, this image is the reason Einstein’s name has become synonymous not only with “genius,” but also with “wacky genius.”</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">10 :~ The Photograph That Made the Surreal Real</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">“Dalí Atomicus” Philippe Halsman, 1948</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"><img src="http://i944.photobucket.com/albums/ad282/iamjeet/dali-atomicus-1.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">Philippe Halsman is quite possibly the only photographer to have made a career out of taking portraits of people jumping. But he claimed the act of leaping revealed his subjects’ true selves, and looking at his most famous jump, “Dalí Atomicus,” it’s pretty hard to disagree.</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">s.u</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black">good loking</span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"><span style="font-family: 'Book Antiqua'"><span style="color: black"></span></span></span></p><p><span style="font-size: 12px"></span></p><p><span style="font-size: 12px"></span></p><p><span style="font-size: 12px"></span></p><p><span style="font-size: 12px"></span></p></blockquote><p></p>
[QUOTE="gayankuwait, post: 9709599, member: 312790"] [SIZE=3][FONT=Book Antiqua][COLOR=red]Enjoy....[/COLOR][/FONT] [/SIZE][SIZE=3][FONT=Book Antiqua][COLOR=black]1 :~ The Photograph That Raised the Photojournalistic Stakes: “Omaha Beach, Normandy, France” Robert Capa, 1944 [IMG]http://i944.photobucket.com/albums/ad282/iamjeet/10-Photographs-That-Changed-the-World.jpg[/IMG] “If your pictures aren’t good enough,” war photographer Robert Capa used to say, “you aren’t close enough.” Words to die by, yes, but the man knew of what he spoke. After all, his most memorable shots were taken on the morning of D-Day, June 6, 1944, when he landed alongside the first waves of infantry at Omaha Beach. 2 :~ The Photograph That Gave a Face to the Great Depression “Migrant Mother” Dorothea Lange, 1936 [IMG]http://i944.photobucket.com/albums/ad282/iamjeet/migrant-mother.jpg[/IMG] As era-defining photographs go, “Migrant Mother” pretty much takes the cake. For many, Florence Owens Thompson is the face of the Great Depression, thanks to legendary educated and apprenticed photojournalist Dorothea Lange. Lange captured the image while visiting a dusty California pea-pickers’ camp in February 1936, and in doing so, captured the resilience of a proud nation facing desperate times. 3 :~ The Photograph That Brought the Battlefield Home “Federal Dead on the Field of Battle of First Day, Gettysburg, Pennsylvania” Mathew Brady, 1863 [IMG]http://i944.photobucket.com/albums/ad282/iamjeet/brady-federal-dead-battle-gettysburg.jpg[/IMG] As one of the world’s first war photographers, Mathew Brady didn’t start out having as action-packed a career as you might think. A successful daguerreotypist and a distinguished gentleman, Brady was known for his portraits of notable people such as Abraham Lincoln and Robert E. Lee. In other words, he was hardly a photojournalist in the trenches. 4 :~ The Photograph That Ended a War But Ruined a Life “Murder of a Vietcong by Saigon Police Chief” Eddie Adams, 1968 [IMG]http://i944.photobucket.com/albums/ad282/iamjeet/murder-vietcong-saigon-police-chief-eddie-adams.jpg[/IMG] “Still photographs are the most powerful weapon in the world,” AP photojournalist Eddie Adams once wrote. A fitting quote for Adams, because his 1968 photograph of an officer shooting a handcuffed prisoner in the head at point-blank range not only earned him a Pulitzer Prize in 1969, but also went a long way toward souring Americans’ attitudes about the Vietnam War. 5 :~ The Photograph That Isn’t as Romantic as You Might Think “V-J Day, Times Square, 1945″, a.k.a. “The Kiss”Alfred Eisenstaedt, 1945 [IMG]http://i944.photobucket.com/albums/ad282/iamjeet/v-j-day-kiss-eisenstaedt.jpg[/IMG] On August 14, 1945, the news of Japan’s surrender was announced in the United States, signaling the end of World War II. Riotous celebrations erupted in the streets, but perhaps none were more relieved than those in uniform. Although many of them had recently returned from victory in Europe, they faced the prospect of having to ship out yet again, this time to the bloody Pacific 6 :~ The Photograph That Destroyed an Industry “Hindenburg” Murray Becker, 1937 [IMG]http://i944.photobucket.com/albums/ad282/iamjeet/hindenburg-murray-becker.jpg[/IMG] Forget the Titanic, the Lusitania, and the comparatively unphotogenic accident at Chernobyl. Thanks to the power of images, the explosion of the Hindenburg on May 6, 1937, claims the dubious honor of being the quintessential disaster of the 20th century. 7 :~ The Photograph That Saved the Planet “The Tetons – Snake River” Ansel Adams, 1942 [IMG]http://i944.photobucket.com/albums/ad282/iamjeet/the-tetons-snake-river-ansel-adams.jpg[/IMG] Some claim photography can be divided into two eras: Before Adams and After Adams. In Times B.A., for instance, photography wasn’t widely considered an art form. Rather, photographers attempted to make their pictures more “artistic” (i.e., more like paintings) by subjecting their exposures to all sorts of extreme manipulations, from coating their lenses with petroleum jelly to scratching the surfaces of their negatives with needles. Then came Ansel Adams, helping shutterbugs everywhere get over their collective inferiority complex. 8 :~ The Photograph That Kept Che Alive “The Corpse of Che Guevara” Freddy Alborta, 1967 [IMG]http://i944.photobucket.com/albums/ad282/iamjeet/che-corpse-freddy-alborta-1.jpg[/IMG] Sociopathic thug? Socialist luminary? Or as existentialist Jean-Paul Sartre called him, “the most complete human being of our age”? Whatever you believe, there’s no denying that Ernesto “Che” Guevara has become the patron saint of revolutionaries. Undeniably, he is a man of mythical status – a reputation that persists less because of how he lived than because of how he died. 9 :~ The Photograph that Allowed Geniuses to Have a Sense of Humor “Einstein with his Tongue Out” Arthur Sasse, 1951 [IMG]http://i944.photobucket.com/albums/ad282/iamjeet/einstein-tongue-out.jpg[/IMG] You may appreciate this memorable portrait as much as the next fellow, but it’s still fair to wonder: “Did it really change history?” Rest assured, we think it did. While Einstein certainly changed history with his contributions to nuclear physics and quantum mechanics, this photo changed the way history looked at Einstein. By humanizing a man known chiefly for his brilliance, this image is the reason Einstein’s name has become synonymous not only with “genius,” but also with “wacky genius.” 10 :~ The Photograph That Made the Surreal Real “Dalí Atomicus” Philippe Halsman, 1948 [IMG]http://i944.photobucket.com/albums/ad282/iamjeet/dali-atomicus-1.jpg[/IMG] Philippe Halsman is quite possibly the only photographer to have made a career out of taking portraits of people jumping. But he claimed the act of leaping revealed his subjects’ true selves, and looking at his most famous jump, “Dalí Atomicus,” it’s pretty hard to disagree. s.u[/COLOR][/FONT][/SIZE] [SIZE=3][FONT=Book Antiqua][COLOR=black]good loking [/COLOR][/FONT] [/SIZE] [/QUOTE]
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