Wonders of Asia....

sihina_lahiru

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    Wonders of Asia....

    1.Temples of Bagan, Burma


    Wonder: Temples of Bagan
    Country: Burma
    Region: Mandalay
    Visitable: Yes
    About: The temples of Bagan or Pagan (as anciently was known this place) are an extraordinary set of ancient Buddhist sanctuaries, which were built mainly between the X and XII centuries in the actual territory of Myanmar (Burma)
    Wonder type: Man-made Wonder National Wonder


    The temples of Bagan or Pagan (as anciently was known this place) are an extraordinary set of ancient Buddhist sanctuaries, which were built mainly between X century and XII century in the actual territory of Myanmar (Burma) on the eastern bank of the Ayerwady River to 145 Kilometers (90 miles) of Mandalay city.
    The impressive religious complex of Bagan is composed by around 2200 temples and pagodas and covered an area of almost 26 square miles. These temples are a compendium of the architectural styles developed in the region during the historical period, they were constructed such as "Stupa with a relic-shaped dome", "Stupa with tomb-shaped dome", "Sinhalese-styled stupa", "North Indian model", "Central Indian Model", "South Indian model", "Mon model". Nevertheless, most structures were built using two kinds of buildings: the pagoda and the temple.
    Both types of structures have their own goals. The pagoda was a symbol of adoration, whereas the temple served for worship and meditation. To build the structures the constructors used mainly bricks, sandstone and large-sized timber. Some metals like iron and bronze also were used but not extensively. The pagodas were constructed using a structural framing system, which consists of a systematically framed outer wall brick, strengthened with sandstone at intervals and a central hard core consolidated with brickbats and earth.
    Some of the most important and beautiful temples that remain standing in Bagan are:
    Dhammayangyi, it was constructed by the king Narathu from 1167 to 1170 and is the largest temple of the complex.
    Shwesandaw, this was one of the first temples built in Bagan. It was constructed by Anawahta and its stupa enshrines hairs of Buddha. This temple is known also as the Ganesh Temple because of images of this Hindu god were in the corners of the temple’s terraces.
    Mahabodi is an exact replica in smaller scale of the famous temple of Bodhi in India. Mahabodhi was constructed by the king Nataungmya and it is totally covered with niches which contain images of Budha.
    Amnada Temple, it is one of the most beautiful temples and in 1990 received a golden gilding in its 900th anniversary of construction. The temple hosts also four great golden statues of Buddhas.
    Shwe Zi Khon, it is perhaps the most beautiful and important temple of Bagan. It host several hairs and bones of Buddha. The construction of the temple was initiated by the king Anawrata and was finished by its successor the king Kyanzittha. This temple is scenery of a great religious festival every year and is still today an important pilgrimage center.
    Thatbynnyu is the highest structure of Bagan with 61 meters height (around 201 feet).
    History

    The archeological and religious Bagan complex covers about 16 square miles. Most structures in this complex were constructed from the 1000 to 1200 AD. During this time Bagan was the capital of the Burmese Empire for second time. The golden age of Bagan began in 1057 AD when the King Anawrahta conquest Thaton. Anawrahta was Buddhist; therefore he brought back to Bagan the scriptures of Theravada Buddhism and with the help of a monk from Lower Burma, he converted the people of the country to the Buddhism.
    Anawrata initiated the massive construction of temples and other religious buildings in Bagan which we can see still. But his successors were who continued the tradition started by Anawrata by 290 years, since they constructed over 10000 temples and pagodas in Bagan.
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    Shwe Zi Khon Pagoda in Bagan

    During its apogee Bagan was one of the most important religious and cultural centers of Asia, it reached a population 300 000 people and around 10 00 temples and pagodas existed in Bagan. Unfortunately the attacks of enemies and several earthquakes destroyed most buildings of the ancient capital of Burma.
    The golden age of Bagan finished in 1287 when the region was invaded by Mongols, who sacked the city and the temples. Nevertheless, the city was still an important Buddhist center, but its political importance was lost forever. Little by little the city was abandoned and nowadays only the temples and some archeological remains survive of which was one of the most important capitals of Asia.
    The Burmese government has tried to restore the temples of Bagan. Unfortunately, these restorations have been made without respect for the original materials and architectural styles of the building. Therefore UNESCO never declared Bagan as World Heritage. But, Bagan is definitely one of the sites of the planet that worth visiting before die.


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    sihina_lahiru

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    2. Angkor Wat, Cambodia
    Wonder: Angkor Wat
    Country: Cambodia
    Region: Siem Reap
    Visitable: Yes
    About: It is a wonderful temple in Cambodia constructed by the Khmer dinasty
    Wonder type: Man-made Wonder National Wonder



    This complex of ancient temples (geographically as large as Paris) is probably the most important archeological site in South East Asia. It is located at Angkor in Cambodia to 5.5 kilometers of the modern town of Siem Reap. It dates from XII century (although the construction lasted almost 4 centuries) and the main temple is very well conserved and it is still today a religious center. The temple was constructed in the jungle by order from the king Suryavarman as the main temple of the country and its capital city.
    This temple is one of the most beautiful and suggestive places on the planet. It is a true feat of the architecture. The temple is a representation of Mount Meru (the house of gods of the Hinduism). The temple has several towers; there are many courtyards and an endless number of bas-reliefs ornament the walls of its rooms. The architectural style of the temple is known as Khmer Architecture, this style used sandstone and bricks to create the intricate designs that adorn this wonderful temple.
    The temple is composed by concentric galleries; Angkor Wat (wat means temple) has three main features: the outer enclosure that surrounded the complex, which is composed by a great outer wall of 1024 x 802 meters and 4.5 meters height and a moat of 190 meters wide, which symbolizes the ranges of mountains and the ocean respectively.
    The central structure is composed by several rectangular galleries rising to a central tower, which is over a terrace higher than the city. The temple itself has quincunx (arrangement of five units) towers which represents the peaks of the mountains. This part of the temple has many statues of Buddha and inscriptions of old pilgrims.
    The decoration is the other and perhaps the most representative characteristic of the temple. It is composed mainly by bas-reliefs friezes, which represent episodes from the Hindu epics the Ramyana and the Mahabharata; bas-reliefs show also battle scenes like the Battle of Kurukshetra amongst the Kaurava and Pandava clans as well as the “Churning of the Sea of Milk”, the “37 heavens” and many other pictures of the Hindu mythology.
    Angkor Wat is dedicated to Vishnu (the supreme god of the Hinduism). According to archeologists like Charles Higham, the sanctuary was built also to serve as a funerary temple for the remains of Suryavarman. The evidence that support this theory is in the bas-reliefs and a funerary jar which was found in the central tower.
    History

    The construction of the temple was started in the XII century when the king Suryavarman (1113 - 1150) ruled in the region. The complex was constructed as the state temple as well as the capital of the country. Current theories say that the location of the temple was chosen because of its important strategic military position; but there are other theories that explain the location of the temple because of a planet-spanning sacred geography. It believes that its original name was Vrah Vishnulok, because of the main deity that was adored here.
    The status of the temple did not last long time; since in 1177 Angkor was sacked by the main enemies of the Khmer, the Chams. Some time later the empire was rebuilt by the king Jayavarman VII who moved the capital and the main temple of the country to another location a short distance to the north.
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    View of Angkor Wat

    Angkor Wat became a Theravada Buddhist during XIV and XV centuries. From the XVI century the temple lost its importance; nevertheless, it was never totally abandoned.
    In 1861 the French scientist Henri Mouhot rediscovered accidentally the remains of the temple and he popularized the temple in the Western Hemisphere when published its travel notes. The French traveler described the temple using these words: “One of these temples a rival to that of Solomon, and erected by some ancient Michenlangelo might take an honorable place beside our most beautiful buildings. It is grander than anything left to us by Greece or Rome, and presents a sad contrast to the state of barbarism in which the nation is now plunged”.
    In 1908 thanks to the popularity that the temple reached in Europe mainly in France; French people funded and managed a great plan of restoration. This restoration is made still today, but it was interrupted during 1980s and 1990s when the Khmer Rouge took the control of the country during a civil war. Fortunately, this violent war did not cause great damage to the remains of the temple.
    Today Angkor Wat is probably the greatest symbol of Cambodia , this temple is so very important to Cambodia that its image is part of the country’s flag since 1863. Since 1990 Angkor Wat has experienced a great flood of tourism; mainly after UNESCO declared in 1992 the temple as World Heritage Site. In 2006 this place received around 675 000 foreign visitors. The money contributed by tourists has served to provide additional funds for the maintenance of the temple and support the economy of the region of Siem Reap in Cambodia.



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    sihina_lahiru

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    3.Elephant Trunk Hill, China

    Wonder: Elephant Trunk Hill
    Country: China
    Region: Guilin
    Visitable: Yes
    About: Elephant Trunk Hill one of the most famous hills in Guilin City.
    Wonder type: National Wonder
    http://www.7wonders.org/wonders/national-wonders.aspx


    Elephant Trunk Hill is located in the city center, on the western bank of Li River Scenery. The Elephant Hill sits in the point where Guilin Peach River joining to the Li River. Elephant Trunk Hill is regarded as the symbol of Guilin. Originally named "Li Hill", "Yi Hill" and "Chenshui Hill". The hill is 3.6 hundred million years old.
    The name was chosen because the shape of the hill is just like an elephant drinking from the Li River with its trunk. The clear and green water of Li River at the foot make Elephant Trunk Hill one of the most famous hills in Guilin City. Of course, all the great limestone formations in Guilin and down the Li River resemble someone or something; you only need to have a good imagination.
    Shui Yue Cave (Water Moon Cave) is between the trunk and the legs, which is a semi-round cave penetrated by water. The inverted reflection of the cave in water plus the part above forms a full moon, this phenomenon is unique. There are over 70 inscriptions carved in the cave from the Tang and Song dynasties were found on the walls in and around this cave, praising the beauty of hills and waters nearby. Visitors can pass through the cave by boat.
    Another cave regarded as the eyes of the elephant lies in the hillside. It provides tourists an ideal location to enjoy the panoramic view of Guilin. The pagoda looks like a precious vase on the back of an elephant seen from distance and many beautiful legends about the pagoda with good wishes are said among people.
    There is an island out in the Li River called Love Island. It is a beautiful little island covered with bamboo groves and dedicated to lovers. It has many winding paths, and many stone statues dedicated to love and it is a good place to relax and spend some time with special someone.
    On calm days, this giant elephant is reflected on the mirror-like surface of the river and in the evening, when viewed under a moonlit sky, the hill creates a lasting and magical impression.
    History

    Situated majestically at the southeast of Guilin city and west bank of Li River, Elephant Trunk Hill is regarded as the symbol of Guilin landscape. Originally named "Li Hill", "Yi Hill" and "Chenshui Hill", the hill has a history of 3.6 hundred million years.
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    Elephant Trunk Hill, Guilin

    Resembling elephant leisurely sucking water from the river with its long trunk, this hill is famous as Elephant Trunk Hill for hundreds of years. Legend says that an elephant that belonged to the Emperor of Heaven came down to earth to help the people in their work. This angered the Emperor of Heaven, how the elephant was drinking at the river's edge and turned it to stone.
    With an elevation of 200m, the hill towers 55m above the water, measuring 108m in length and 100m in width. Between the trunk and the legs of the elephant is a cave, in the shape of a full moon, penetrating the hill from side to side. People named it "Moon-over-Water Cave".
    On the walls in and around this cave, over 70 inscriptions from the Tang and Song dynasties were found, praising the beauty of hills and waters nearby. On top of the hill stands a pagoda named Puxian Pagoda. Built in the Ming dynasty (1368-1644), it looks like the handle of a sword. In and out of the cave are many carvings and inscriptions, the most well known of which is a poem by Lu You (1125-1210), one of the four great poets of the Southern Song dynasty (1127-1279).


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    sihina_lahiru

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    4.Forbidden City, China

    Wonder: Forbidden City
    Country: China
    Region: Beijing
    Visitable: Yes
    About: It is the largest and best preserved imperial palace in China and it is together with the Great Wall the most representative Chinese national symbol.
    Wonder type: Man-made Wonder
    http://www.7wonders.org/wonders/man-made-wonders.aspx


    The Forbidden City is known also as the Palace Museum, the Gugong (in Chinese) Museum or the Purple Forbidden City. It is the largest and best preserved imperial palace in China. This awesome palace is located in Beijing city to the north of Tiananmen Square (the ceremonial center of current Republic of China) and it was the official residence of the Chinese Emperor from the mid Ming Dynasty (1368 - 1644) until the last emperor of the Qing Dynasty (1644 - 1911). In total the Palace was the home of 24 Chinese emperors.
    The Forbidden City is one of the five most famous palaces of the world together with the Palace of Versailles, the Buckingham Palace, the White House and the Kremlin. The Forbidden City was constructed as a replica of the Purple Palace where God lived according to the Chinese mythology therefore the palace was a sacred place, and so it was forbidden to the ordinary people.
    The Forbidden City is the largest palace of the World. It occupied an area of 74 hectares. It is surrounded by a great moat of 6 meters deep and 10 meters high. The Palace is a giant rectangle of 961 meters long for 753 meters wide. The walls are 8.62 meters wide at the base and 6.66 meters at the top; they were designed as defensive walls and were made using rammed earth. The complex is composed by 980 buildings and around 8707 rooms.
    The four corners of the great rectangle have each one an intricate tower with complex roofs that represents the Pavilion of Prince Teng and the Yellow Crane Pavilion. These towers are the elements most prominent from outside palace. The main entrance to the Forbidden City is through the Tiananmen gate. Behind the Tiananmen gate is the great courtyard of the palace. Here the complex is divided into two parts: the inner court and the outer court (also called working area or front court). The courtyard contains some of the most representative elements of the palace: the “stream of golden water” and 5 beautiful bridges ornamented with carved torches.
    The outer court was used mainly with ceremonial purposes and to host the imperial affaires. It is composed by all the buildings of the southern zone.
    One of the most important rooms of the complex is the “Hall of Supreme Harmony” which is the largest in the palace and is 30 meters above the level of the surrounding square. This hall was the heart of the power in the country and is the largest wooden structure in China. The roof of this magnificent hall was decorated with a caisson with a coiled dragon. There had two other important halls: the Hall of the Central Harmony and the Hall of Preserving Harmony. The three salons had imperial thrones and were used to host the Imperial activities and ceremonies. Behind the Hall of Preserving Harmony is the greatest stone carving of China, an impressive stone piece that weights around 200 tons.
    The residence of the Emperor, his concubines and the Eunuchs of the palace was located in the inner court at the northern section of the complex in the central north-south axis of the complex, which was the most important axis of the three that compose the Forbidden City. In the inner are the main buildings that served as home for the imperial family such as the Palace of Heavenly Purity, the Palace of Earthly or the Hall of Union. All these palaces have an extraordinaire architectural style and were luxury decorated
    All the elements from the architectural shapes to the colors used in the Forbidden City were designed to symbolize religious and philosophical principles of the Chinese cosmology. This Palace is the abstract of several millenniums of culture.
    It can visit the Forbidden City from 08:30 to 17:00 between April 1 and October 31 for 60 yuan and from 08:30 to 16:30 between October 16 and April 15 for 40 yuan. There are also many services to guide visitors available. There is an audio guide (40 yuan) device available in several languages like Chinese, Cantonese, English, French, Japanese, German, Spanish, Russian, Thai , Arabic and Italian. There are also multilingual guides, a tourist service center, bag check services, tourist souvenirs, books, post office and several restaurants where it can enjoy a good food or drink.
    History

    The construction of the palace was initiated in 1406 by the Yongle Emperor of the Ming Dynasty. The construction of the Forbidden City lasted around 15 years and almost one million workers were required to do this monumental work. The main materials used to build the palace were the Phoebe Zhenan (a fine Chinese wood) and marble blocks. The floors of the main halls were paved using golden bricks.
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    The Forbidden City

    The palace was during over two centuries (1420- 1644) the residence of the Emperors of the Ming Dynasty. In 1644 a rebellion leaded by Li Zeching captured the Forbidden City and proclaimed Li Zeching emperor. But the rebels fled when an army leaded by the general Wu Sangui arrived with Manchu forces, during this fact some parts of the complex were burned. Some months later the Manchu forces took the power in China and they proclaimed Shunzi Emperor starting the Qing Dinasty. The new dynasty made some changes in the palaces and renamed some buildings. Besides, the new Manchu Emperors introduce the Manchu language in Beijing.
    The Forbidden City was captured again in 1860 when the Anglo-Forces occupied the palace during the Opium War II. The final episode to the Forbidden City as Imperial Palace occurred in 1912 when the last Emperor Puyi abdicated. Nevertheless Puyi remained in the inner Palace until 1924 because of an accord with the Chinese government. During this time many treasures of the Palace were sold by Puyi or were stole.
    From 1924 the Forbidden City became museum. But during the World War II because of the Japanese invasion, many of the treasures of the palace were evacuated by order of Chiang Kai-Sek to Taiwan. In 1961 the Forbidden city was listed by the Chinese government as one of the most important historical monuments under special preservation.
    In 1987 the Forbidden City was declared World Heritage by UNESCO. Currently the Forbidden City is managed by an organism of the Chinese government “The Palace Museum”, which is executing a restoration project. Nevertheless, this administration has also taken controversial decisions, like to allow the presence of commercial enterprises such as Starbucks inside the Forbidden City.
    This wonderful palace is without doubt today, the greatest symbol of the Imperial China in the capital of the country and it is together with the Great Wall the most representative Chinese national symbol.


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    sihina_lahiru

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    5.Potala Palace, China


    Wonder: Potala Palace
    Country: China
    Region: Lhasa
    Visitable: Yes
    About: The Potala Palace is an ancient architectural complex and it is considered a model of Tibetan architecture
    Wonder type: National Wonder
    http://www.7wonders.org/wonders/national-wonders.aspx


    This ancient architectural complex is considered a model of Tibetan architecture. Located on the Red Hill in Lhasa, Tibet, it is 3,700 meters above sea level and covers an area of over 360,000 square meters, measuring 360 meters from east to west and 270 meters from south to north.
    The present Potala Palace is 119 meters height with 13 floors. The building measures 400 meters east- west and 350 meters north-south, with sloping walls of stone of 3 m thick, and 5 m thick in the base, and with the copper covering foundations, this in order that the building is to proof of earthquakes.
    It is famous for its high historical value and kept numerous treasures in it. Divided into White and Red Palaces, the complex was one of the world’s tallest buildings before the era of modern skyscrapers. The White Palace, comprising halls, temples and courtyards, serves as the living quarters of the Dalai Lama.
    The Red Palace includes various chambers for worshipping Buddha and chambers housing the eight stupa that contain the remains of fifth through thirteenth Dalai Lama. All the stupas are covered with gold foil. The most magnificent stupa belongs to the fifth Dalai Lama. The palace also collected a large number of sculptures, murals, scripture and other valuable cultural relics.
    The main central hall of the Red Palace is the Great West Hall which consists of four great chapels that proclaim the glory and power of the builder of the Potala, the Fifth Dalai Lama. The hall is noted for its fine murals reminiscent of Persian miniatures, depicting events in the fifth Dalai Lama's life.
    On the north side of the Red Palace is the holiest shrine of the Potala. A large blue and gold inscription over the door was written by the 19th century Tongzhi Emperor of China. It contains a small ancient jewel encrusted statue of Avalokiteshvara and two of his attendants. On the floor below, a low, dark passage leads into the Dharma Cave where Songsten Gampo is believed to have studied Buddhism. In the holy cave are images of Songsten Gampo, his wives, his chief minister and Sambhota, the scholar who developed Tibetan writing in the company of his many divinities.
    The North Chapel centers on a crowned Sakyamuni Buddha on the left and the Fifth Dalai Lama on the right seated on magnificent gold thrones. Their equal height and shared aura implies equal status. On the far left of the chapel is the gold stupa tomb of the Eleventh Dalai Lama who died as a child. On the right of the chapel are Avalokiteshvara and his historical incarnations including Songsten Gampo and the first four Dalai Lamas.
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    Potala Palace, Lhasa

    The South Chapel centers on Padmasambhava, the 8th century Indian magician and saint. The East chapel is dedicated to Tsong Khapa, founder of the Gelug tradition. His central figure is surrounded by lamas from Sakya Monastery who had briefly ruled Tibet and formed their own tradition until converted by Tsong Khapa. Other statues are displayed made of various different materials and display noble expressions.
    The West Chapel contains the five golden stupas. The enormous central stupa, 14.85 metres high, contains the mummified body of the Fifth Dalai Lama. This stupa is built of sandalwood and is remarkably coated in 3,727 kg of solid gold and decorated with 18,680 pearls and semi-precious jewels. The nearby stupa for the 13th Dalai Lama is 22 meters high. The stupas on both ends contain important scriptures.
    The living quarters and offices of regents are on the fifth and sixth floors and while the top floor consists of the East and the West Chamber of Sunshine. Because the sun is present in the chambers throughout the year, the East and West Chamber were the places where Dalai Lamas lived, worked and studied. The furnishings are sumptuousness and comfortable, revealing the dignity of Dalai Lamas. Standing on the spacious balcony, visitors can look down on beautiful Lhasa.
    Tangka or Buddhist scroll paintings are usually done on cotton and some are patch work or embroideries. The paintings are usually in vivid colors. As with paintings, Tangka are based on different themes such as Buddhas and historical figures, as well as history, medicine, architecture and arts. Potala Palace houses many iron, bronze, gold and silver articles, such as weapons, from the Tubo Kingdom. There are also sacrificial articles from the same period and leather, textile, paper, porcelain, carved stone, seals, and documents issued by emperors to the Dalai Lamas.
    History

    The old Potala Palace was built in 7th century by Zhanpu King. At that time Zhanpu King (Shuzhan Genpu) established Tufen Kingdom in Tibet, Lhasa was its Capital, the Emperor of China's Tang Dynasty sent the Princess Wenchen to marry with Zhanpu King. Then Zhanpu King decided to build a city to show his glory, later he decided build the Potala Palace on the Red Hill.
    This structure was later burned during a war and was rebuilt in the 17th century by Lozang Gyatso, the Great Fifth Dalai Lama, the construction started after one of his spiritual advisers, Konchog Chophel (d. 1646), pointed out that the site was ideal as a seat of government, situated as it is between Drepung and Sera monasteries and the old city of Lhasa.
    Repeated repairs and expansions until 1645 finally brought the palace to its present scale. The Dalai Lama and his government moved into the Potrang Karpo ('White Palace') in 1649.
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    Potala Palace, Lhasa

    The palace was slightly damaged during the Tibetan uprising against China in 1959. It also had damage during the Cultural Revolution in 1966 by the intervention of Zhou Enlai, who was then the Premier of the Republic of China but who personally opposed the revolution. That's why, almost all of the over 100,000 volumes of scriptures, historical documents and other works of art were removed, damaged or destroyed.
    The Red Palace was build in 1690 after the death of the Fifth Dailai Lama, the wall of the palace was painted to red, representing stateliness and power. Construction lasted until 1694, some twelve years after his death. The Potala was used as a winter palace by the Dalai Lama from that time.
    In 1934, the palace of the Thirteenth Dalai Lama began to build and it took three years. It is the last construction of the Potala Palace. The palace is 14 meters high, only 0.86 meters lower than that of the Fifth Dalai Lama's. Inside the palace, the murals are the Thirteenth Dalai Lama's biography, and a some other scenes.
    In 1994, the palace joined the list of world cultural heritage sites. In 2000 and 2001, Jokhang Temple and Norbulingka were added to the list as extensions to the sites.
    Rapid modernization has been a concern for UNESCO, however, which expressed concern over the building of modern structures immediately around the palace which threaten the palace's unique atmosphere. The Chinese government responded by enacting a rule barring the building of any structure taller than 21 meters in the area. UNESCO was also concerned over the materials used during the restoration of the palace, which commenced in 2002 at a cost over US$22.5 million, although the palace's director, Qiangba Gesang, has clarified that only traditional materials and craftsmanship were used.
    The Potala Palace was the chief residence of the Dalai Lama until the 14th Dalai Lama fled to Dharamsala, India after an invasion and failed uprising in 1959. Today the Potala Palace has been converted into a museum by the Chinese. Daily visitorship to the palace was restricted to 1,600 a day, with opening hours reduced to six hours daily to avoid over-crowding from 1 May 2003.



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    sihina_lahiru

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    6.Seven Star Park, China

    Wonder: Seven Star Park
    Country: China
    Region: Guilin
    Visitable: Yes
    About: The park is named after from its seven peaks resemble the pattern of the Big Dipper constellation.
    Wonder type: National Wonder
    http://www.7wonders.org/wonders/national-wonders.aspx


    Located at the east bank of Li River, the park is 1.5 kilometers from the downtown area of Guilin. The park is named after from its seven peaks resemble the pattern of the Big Dipper constellation. It is the largest park, consists of some of the most spectacular sights in the city. Some of the pincipal attractions of the park are the Seven Star Cave, Dragon Hiding Cave, Flowers Bridge, etc.
    The park is endowed with elegant mountains, clear water, miraculous stone forest, deep and serene valleys, plentiful animals and plants and valued cultural relics.
    The Flower Bridge (Hua Qiao) is the main entrance to the Park, an elegant arched structure dating from the Song Dynasty that crosses the confluence of East River and Lingjian Stream that passes through the park.
    Putuo Mountain, where Avalokitesvara Bodhisattva is worshiped, is the main body of the park. It abounds with caves and pavilions. At the southwestern foot of the mountain lies the natural air condition Xuanfeng Cave.
    At the top of the mountain are Putuo Stone Forest, Xuanwu Pavilion and Zhaixing Pavilion. In addition, there are numerous valuable tablets on the mountain. Light of China Square is between Putuo Mountain and Crescent Mountain. It boasts of two craftworks, one is the stone that was used to carving murals and the other is Shi Ji Bao Ding (the precious Ding of the century). The mural, made up of more than 100 stone carvings, epitomizes 5000-year Chinese civilization. Shi Ji Bao Ding (has a height of 4.6 meters)symbolizes that the country flourishes and people live in peace.
    At halfway up the mountain, you will see Putuo Jingshe. At the west of the mountain, you will see the renowned Seven Stars Cave, which is also called Qixia Cave or Bixu Cave. With the multifarious stalactites, stalagmites and stone pillars formed by the dissolved limestone, the cave was called 'Residence of the Immortals'.
    The Cave has been a tourist attraction since the Tang Dynasty. The temperature inside the Cave always remains 20 degrees Celsius all year around. The Cave is divided into three main parts. The upper part of the Cave is very high and steep. The middle part is an 814-meter-long tunnel serving to be the touring area. The lower part is an underground water channel where tourists can sit in a small boat and tour around the Cave. In addition, the equipped lighting adds an enchanting touch to the spectacular scene.
    As another attraction in the park, Camel Hill is situated a little further away from the Putuo Hill and Cresent Hill. It is called Camel Hill because this limestone outcrop looks really like a camel resting among the trees, hence the name.
    This delightful park that encompasses hills and natural waterways is a great attractions, favorite to the local people and tourists alike. And thanks to the pleasant climate here, you can pay a visit to Seven Stars Park at any time of year.
    History

    Seven Star Park got its name from the seven peaks that are supposed to resemble the star pattern of the Big Dipper constellation nearby, four peaks in the north are called Putuo Hill and three in the south are called Lunar Hill. The famous Seven Star cave is located at the Putuo Hill.
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    Seven Star Park, Guilin


    It has been popular since the Sui (581-618) and Tang (618-907) Dynasties. The main sights contain Flower Bridge, Putuo Mountain, Seven Stars Cave, Camel Hill, Crescent Mountain, Guihai Stele Forest and Light of China Square.
    Flower Bridge, built in the Song Dynasty (960-1279), is the oldest bridge in Guilin. Every spring and summer, it is set off with blooming flowers and the streams, hence the name Flower Bridge.
    A notable feature of the Crescent Hill is the 200 calligraphy carvings in the caves within it. These are said to be the work of important and talented calligraphers of the Tang (618-907 AD), Ming (1368-1644 AD) and Qing (1644-1911 AD) Dynasties. In the park, there are many Karst views, including the caves and stones. Dated back 1000 years ago, the place was already a place of interest for local people.


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    sihina_lahiru

    Well-known member
  • Dec 6, 2008
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    **මාතර**____
    7.Terra Cotta Warriors, China

    Wonder: Terra Cotta Warriors
    Country: China
    Region: Xi’an
    Visitable: Yes
    About: The Terra Cotta Warriors and Horses are the most important archeological excavations of the 20th century.
    Wonder type: National Wonder
    http://www.7wonders.org/wonders/national-wonders.aspx




    The Terra Cotta Warriors and Horses are the most important archeological excavations of the 20th century located lies 35 kilometers east of Xi'an, at the base of Lishan Mountain. Life size figures of terracotta warriors and horses arranged in battle formations are the star features at the museum.
    The museum covers an area of 16,300 square meters, divided into three sections: No. 1 Pit, No. 2 Pit, and No. 3 Pit in that order. Altogether over 7000 soldiers, 130 chariots with 520 horses and 150 cavalry horses, and even weapons have been unearthed from these pits. Most of them have been restored to their previous magnificence.
    There are four main categories of figures: chariot warriors, infantrymen, cavalrymen, and horses. There are generals, middle ranking officers, lower ranking officers, ordinary soldiers, and resistant warriors. The soldiers are divided into infantry armed with swords and spears, archers, crossbow archers, cavalry, chariot drivers and officers. Among the infantrymen there are some with armor and others without. Chariots are respectively designed for commanders, aide officers of a squad of three or four soldiers.
    Excavations indicate that the cavalry functioned as an autonomous force in battle, with chariots in performance a vital strategic role. A shopping center nearby also provides visitors buy small replicas of the warriors, horses and chariots as souvenirs for a couple of Yuan.
    In the Pit No. 1 includes: Large body of troops from the left group marshaled in battle order. With 14,260 square meters, it is the largest of the three pits. Five slopping entrances reach down to it from the east and west. Ten partitioning walls separate the underground army into different columns.
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    The Terra Cotta Warriors and Horses, Xi’an

    The walls are reinforced by stout beams, which are covered by reeds and earth. The floor is paved with black bricks. There are more than 6,000 terracotta warriors and horses into battle line formation. Three columns in front of each battalion performing the role of being the vanguard, each unit of 70 soldiers, making a total of 210 soldiers who fulfilled the role of being the resistance or vanguard in the battle
    The Pit No. 2 is 20 meters due east of Pit No. 1. It is 6,000 square meters subdivided into L-Shaped foursquare sections, where archeologists unearthed 1,000 warriors, 500 horses, and 89 wooden chariots. The horses are both for pulling chariots and for carrying riders.
    The first module is the unit at the eastern end, within which displayed a matrix of 334 warriors. The second module is the unit at the south end including first to eighth passing holes and sixty-four battle vehicles, each of which has three sergeant figurines. The third module is the central unit in the pit including passing holes ninth to eleventh, nineteen war tanks and over 100 pieces of unarmed soldiers. The fourth module is the unit in northern half of the pit, including passing holes twelfth through fourteenth, 6 chariots, and 124 horses and cavalry.
    For reach to the Pit No. 3 have to walk 25 meters north from Pit No. 1. It was discovered within a month after the archeologists had found Pit No. 2. It is a concave structure of 520 square meters. There are only one car, 4 horses, and 68 pottery figurines in this pit. The formation of these pottery figurines is different from the first and second pit, they were displayed in the combat formation.
    There are animal bones and deer horns strewn about, probably sacrifices offered on the eve of a battle. These are half size scale models of real chariots, faithfully copied down to the last detail, complete with horses and people. They are constructed with bronze and cast bullion. There are 1720 gold and silver pieces, weighing 7 kilograms. The chariot has been painted white by conservation workers.
    History

    In 221 B.C., Emperor Qin Shi Huang of the Qin dynasty established the first centralized feudal dynasty in China. He was a important man in the History of China. After his death, he was buried at the northern foot of Lishan Hill in the east of Lintong County. The tomb has been reduced to half its size after 2,000 years of water and soil erosion, but still impressive, 76 meters high and a original space of 120,000 square meters.
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    The Terra Cotta Warriors and Horses, Xi’an

    One curious detail about the construction of the tomb is that the emperor had the building begin shortly after becoming king of Qin at the age of 13. This action contradicted Confucian wisdom that a son should demonstrate respect for his father by building as impressive a memorial as possible and that a man should never plan his own funeral rites.
    In fact, he ordered the burning of books of history and philosophy as well as the death of 460 Confucian scholars who had had the temerity to continue teaching principles drawn from the past. The tomb took 39 years and 700,000 workers to reach conclusion. It had pearls embedded in the ceiling to represent the stars, and rivers and lakes were modeled with liquid mercury. The tomb itself has not been opened yet.
    In March 1974, farmers from Xianyang village accidentally discovered many broken pottery figures while digging a well 1.5 kilometers east of Emperor Qin Shi Huang's Mausoleum, Lintong County, Shaanxi Province.
    The State Council authorized to build a museum on site in 1975. When completed, people from far and near came to visit. Xian and the Museum of Qin Terra Cotta Warriors and Horses have become landmarks on all travelers' itinerary.
    In 1976, after driling, another two pits were discovered respectively 20 meters and 25 meters to the north of the former one. They were numbered Pit 1, 2 and 3 respectively in order of discovery, with a total area of 22780 square meters. In 1978, a fourth pit was discovered; it is shaped as the Chinese character zhong (middle). In 1980, two bronze chariots with four horses were discovered.
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    The Terra Cotta Warriors and Horses, Xi’an

    No. 1 Pit is the largest, first opened to the public on China's National Day, 1979. There are columns of soldiers at the front, followed by war chariots at the back. No. 2 Pit is 20 meters northeast of No. 1 Pit. It contained over a thousand warriors and 90 chariots of wood. It was unveiled to the public in 1994. Archeologists came upon No. 3 Pit also in 1976, 25 meters northwest of No. 1 Pit. It looked like to be the command center of the armed forces. It went on display in 1989, with 68 warriors, a war chariot and four horses.
    The Terra Cotta Warriors and Horses is a sensational archeological find of all times. It has put Xian on the map for tourists. It was listed by UNESCO in 1987 as one of the world cultural heritages.
    In November 1996 it was listed as Key Cultural Relics Units under the State Protection by the State Council. In 2005 the museum was extended. Lying at the foot of Lion Mountain, the museum covers over 6,000 square meters. The funerary objects of the king, about 4,800 pieces of colored terracotta warriors and horses about 40 cm filled with vivid expressions, have been unearthed.
    There are six pits altogether in the Terracotta Warriors and Horses of the Han Dynasty: three infantry pits, one pottery-guard pit, one cavalry pit and one chariot pit. The terracotta warriors and horses are basically in good condition and they are all arranged in battle formation of the Chu Kingdom in the early Western Han Dynasty, with soldiers as well as officers visible in the infantry.
    Apart from the six pits, there is a military exhibition hall and a temporary exhibition hall added to the museum after its extension in 2005. The temporary exhibition hall is being prepared for cultural relics on loan from other museums. Compared with the Xian Terracotta Warriors and Horses of the Qin Dynasty, the Han tomb figures are smaller but the development of their features is based on that in the Qin Dynasty.



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