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<blockquote data-quote="චගු" data-source="post: 20788545" data-attributes="member: 343912"><p><span style="font-size: 15px"><span style="color: Sienna">The Qatsi trilogy is a must for every movie enthusiast.</span></span></p><p></p><ol> <li data-xf-list-type="ol"><span style="font-size: 15px"><span style="color: DarkRed">Koyaanisqatsi: Life Out of Balance</span></span><br /> <br /> <img src="https://upload.wikimedia.org/wikipedia/en/thumb/3/3a/Koyaanisqatsi_poster.jpg/220px-Koyaanisqatsi_poster.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /><br /> Koyaanisqatsi (English pronunciation: /koʊjɑːnɪsˈkɑːtsiː/), also known as Koyaanisqatsi: Life Out of Balance, is a 1982 American experimental film directed by Godfrey Reggio with music composed by Philip Glass and cinematography by Ron Fricke.<br /> <br /> The film consists primarily of slow motion and time-lapse footage of cities and many natural landscapes across the United States. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and music. Reggio explained the lack of dialogue by stating "it's not for lack of love of the language that these films have no words. It's because, from my point of view, our language is in a state of vast humiliation. It no longer describes the world in which we live." In the Hopi language, the word Koyaanisqatsi means "unbalanced life". The film is the first in the Qatsi trilogy of films: it is followed by Powaqqatsi (1988) and Naqoyqatsi (2002). The trilogy depicts different aspects of the relationship between humans, nature, and technology. Koyaanisqatsi is the best known of the trilogy and is considered a cult film.[by whom?] However, because of copyright issues, the film was out of print for most of the 1990s.<br /> </li> <li data-xf-list-type="ol"><span style="font-size: 15px"><span style="color: DarkRed">Powaqqatsi: Life in Transformation</span></span><br /> <img src="https://upload.wikimedia.org/wikipedia/en/thumb/8/86/Powaqqatsi.jpg/220px-Powaqqatsi.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /><br /> Powaqqatsi (/poʊwɑːkˈkɑːtsiː/ poh-wahk-kah-tsee),[3] or Powaqqatsi: Life in Transformation, is a 1988 American documentary film directed by Godfrey Reggio and the sequel to Reggio's experimental 1982 film, Koyaanisqatsi. It is the second film in the Qatsi trilogy.<br /> <br /> Powaqqatsi is a Hopi word meaning "parasitic way of life" or "life in transition". While Koyaanisqatsi focused on modern life in industrial countries, Powaqqatsi, which similarly has no dialogue, focuses more on the conflict in third world countries between traditional ways of life and the new ways of life introduced with industrialization. As with Koyaanisqatsi and the third and final part of the 'Qatsi' trilogy, Naqoyqatsi, the film is strongly related to its soundtrack, written by Philip Glass. Here, human voices (especially children's and mainly from South America and Africa) appear more than in Koyaanisqatsi, in harmony with the film's message and images.<br /> </li> <li data-xf-list-type="ol"><span style="font-size: 15px"><span style="color: DarkRed">Naqoyqatsi: Life as War</span></span><br /> <img src="https://upload.wikimedia.org/wikipedia/en/thumb/4/43/Naqoyqatsi_poster.jpg/220px-Naqoyqatsi_poster.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /><br /> Naqoyqatsi: Life as War, is a 2002 film directed by Godfrey Reggio and edited by Jon Kane, with music composed by Philip Glass. It is the third and final film in the Qatsi trilogy.<br /> <br /> Naqoyqatsi is a Hopi word (more correctly written naqö̀yqatsi) meaning "life as war". In the film's closing credits, Naqoyqatsi is also translated as "civilized violence" and "a life of killing each other".[1] While Koyaanisqatsi and Powaqqatsi examine modern life in industrial countries and the conflict between encroaching industrialization and traditional ways of life, using slow motion and time-lapse footage of cities and natural landscapes, about eighty percent of Naqoyqatsi uses archive footage and stock images manipulated and processed digitally on non-linear editing (non-sequential) workstations and intercut with specially-produced computer generated imagery to demonstrate society's transition from a natural environment to a technology-based one. Reggio described the process as "virtual cinema".</li> </ol><p></p><p>and also these :</p><p></p><p>Chronos (1985)</p><p>Baraka (1992)</p><p>Samsara (2011)</p><p></p><p>see more info at : <a href="https://en.wikipedia.org/wiki/Qatsi_trilogy" target="_blank">https://en.wikipedia.org/wiki/Qatsi_trilogy</a></p></blockquote><p></p>
[QUOTE="චගු, post: 20788545, member: 343912"] [SIZE="4"][COLOR="Sienna"]The Qatsi trilogy is a must for every movie enthusiast.[/COLOR][/SIZE] [LIST=1] [*][SIZE="4"][COLOR="DarkRed"]Koyaanisqatsi: Life Out of Balance[/COLOR][/SIZE] [IMG]https://upload.wikimedia.org/wikipedia/en/thumb/3/3a/Koyaanisqatsi_poster.jpg/220px-Koyaanisqatsi_poster.jpg[/IMG] Koyaanisqatsi (English pronunciation: /koʊjɑːnɪsˈkɑːtsiː/), also known as Koyaanisqatsi: Life Out of Balance, is a 1982 American experimental film directed by Godfrey Reggio with music composed by Philip Glass and cinematography by Ron Fricke. The film consists primarily of slow motion and time-lapse footage of cities and many natural landscapes across the United States. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and music. Reggio explained the lack of dialogue by stating "it's not for lack of love of the language that these films have no words. It's because, from my point of view, our language is in a state of vast humiliation. It no longer describes the world in which we live." In the Hopi language, the word Koyaanisqatsi means "unbalanced life". The film is the first in the Qatsi trilogy of films: it is followed by Powaqqatsi (1988) and Naqoyqatsi (2002). The trilogy depicts different aspects of the relationship between humans, nature, and technology. Koyaanisqatsi is the best known of the trilogy and is considered a cult film.[by whom?] However, because of copyright issues, the film was out of print for most of the 1990s. [*][SIZE="4"][COLOR="DarkRed"]Powaqqatsi: Life in Transformation[/COLOR][/SIZE] [IMG]https://upload.wikimedia.org/wikipedia/en/thumb/8/86/Powaqqatsi.jpg/220px-Powaqqatsi.jpg[/IMG] Powaqqatsi (/poʊwɑːkˈkɑːtsiː/ poh-wahk-kah-tsee),[3] or Powaqqatsi: Life in Transformation, is a 1988 American documentary film directed by Godfrey Reggio and the sequel to Reggio's experimental 1982 film, Koyaanisqatsi. It is the second film in the Qatsi trilogy. Powaqqatsi is a Hopi word meaning "parasitic way of life" or "life in transition". While Koyaanisqatsi focused on modern life in industrial countries, Powaqqatsi, which similarly has no dialogue, focuses more on the conflict in third world countries between traditional ways of life and the new ways of life introduced with industrialization. As with Koyaanisqatsi and the third and final part of the 'Qatsi' trilogy, Naqoyqatsi, the film is strongly related to its soundtrack, written by Philip Glass. Here, human voices (especially children's and mainly from South America and Africa) appear more than in Koyaanisqatsi, in harmony with the film's message and images. [*][SIZE="4"][COLOR="DarkRed"]Naqoyqatsi: Life as War[/COLOR][/SIZE] [IMG]https://upload.wikimedia.org/wikipedia/en/thumb/4/43/Naqoyqatsi_poster.jpg/220px-Naqoyqatsi_poster.jpg[/IMG] Naqoyqatsi: Life as War, is a 2002 film directed by Godfrey Reggio and edited by Jon Kane, with music composed by Philip Glass. It is the third and final film in the Qatsi trilogy. Naqoyqatsi is a Hopi word (more correctly written naqö̀yqatsi) meaning "life as war". In the film's closing credits, Naqoyqatsi is also translated as "civilized violence" and "a life of killing each other".[1] While Koyaanisqatsi and Powaqqatsi examine modern life in industrial countries and the conflict between encroaching industrialization and traditional ways of life, using slow motion and time-lapse footage of cities and natural landscapes, about eighty percent of Naqoyqatsi uses archive footage and stock images manipulated and processed digitally on non-linear editing (non-sequential) workstations and intercut with specially-produced computer generated imagery to demonstrate society's transition from a natural environment to a technology-based one. Reggio described the process as "virtual cinema". [/LIST] and also these : Chronos (1985) Baraka (1992) Samsara (2011) see more info at : [url]https://en.wikipedia.org/wiki/Qatsi_trilogy[/url] [/QUOTE]
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