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“The way we developed the performance capture workflow on ‘Avatar’ is we have our virtual camera, which allows me to, in real time, hold a camera — it’s really a monitor — in my hands and point it at the actors and see them as their CG characters,” Cameron said… “It’s this amazing ability to quickly conjure scenes and images and great fantasyscapes that is very visual…When you are doing performance capture, creatively it’s very daunting. It’s very hard to imagine what it will look like. But if you can see it, if you can have a virtual image of what is it going to be like, then you are there.”
Another new motion capture technique being employed by Avatar is what Cameron and company call “Facial Performance Replacement” (FPR). Basically, FPR allows Cameron to digitally re-work an actor’s facial movements. Lines of dialogue that get changed after principal photography on a scene can still be seamlessly implemented into the finished scene, without the actors having to re-don their body suits and head rigs for another take.
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