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Graphic Design Tutorial For Beginners (Full Course)
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<blockquote data-quote="signshop" data-source="post: 27684756" data-attributes="member: 358740"><p><h3>Graphic Design Tutorial For Beginners | Graphic Design (Full Course) (11 hours)</h3><p></p><p>[MEDIA=youtube]9QTCvayLhCA[/MEDIA]</p><p></p><p></p><p>FUNDAMENTALS OF IMAGEMAKING</p><p>0:00:00 Course Welcome </p><p>0:03:00 Introduction to Imagemaking </p><p>0:05:32 Denotative Imagemaking 1</p><p>0:10:23 Denotative Imagemaking 2</p><p>0:13:07 Techniques of Imagemaking 1</p><p>0:16:03 Techniques of Imagemaking 2</p><p>0:18:57 Techniques of Imagemaking 3</p><p>0:23:55 Process, Generation, Iteration</p><p>0:28:50 Imagemaking Demo 1 Printing with an Object</p><p>0:37:14 Imagemaking Demo 2 Duct Tape Prints</p><p>0:42:18 Imagemaking Demo 3 Improvised Light Table</p><p>0:47:12 Connotative Imagemaking 1</p><p>0:52:17 Connotative Imagemaking 2</p><p></p><p>FUNDAMETALS OF TYPOGRAPHY</p><p>0:56:46 Introduction to Typography</p><p>0:57:46 The Anatomy of Letters</p><p>1:00:45 Words and Spacing </p><p>1:03:41 Type Size The Point System</p><p>1:07:05 Typesetting Text</p><p>1:11:23 Typefaces, Fonts and Type Families</p><p>1:15:46 Typeface Categories</p><p>1:20:16 Denotation in Type</p><p>1:26:58 Connotation in Type</p><p>1:36:04 Looking at Letterforms</p><p>1:40:15 Experimenting with Letterforms</p><p>1:45:39 Typographic Composition</p><p></p><p>FUNDAMENTALS OF SHAPE AND COLOR</p><p>1:49:55 Introduction to Shape & color</p><p>1:51:36 Graphic Shapes</p><p>1:54:33 Visual Constrast </p><p>2:00:13 Marks, Icons, and Symbols</p><p>2:03:39 Negative Positive, Figure Ground</p><p>2:12:15 Working With Color</p><p>2:17:17 The Color Wheel</p><p>2:21:55 Mixing Color Paint, Print and Screen</p><p>2:28:26 Rhythm and Pattern 1</p><p>2:33:06 Rhythm and Pattern 2</p><p></p><p>FUNDAMENTALS OF COMPOSITIONS</p><p>2:41:37 Introduction to Composition</p><p>2:43:29 Principle of Composition</p><p>2:50:40 Visual Contrasts</p><p>2:56:41 Single Contrasts</p><p>2:59:19 Multiple Contrasts</p><p>3:08:34 Type Contrasts </p><p>3:13:11 Image Constrasts </p><p>3:19:32 Composition in a Single Image</p><p>3:25:20 Cropping and Hierarchy</p><p>3:35:14 Compositions in Context</p><p>3:50:06 Conclusion</p><p>------------------------------------</p><p></p><p> Introduction to Typography</p><p></p><p>TALKING TYPE</p><p>3:51:21 Course Welcome</p><p>3:53:55 Font Versus Typeface</p><p>3:58:28 Stroke and Proportion</p><p>4:02:33 Type Anatomy</p><p>4:05:11 Measuring Type</p><p>4:08:33 Choosing a Typeface</p><p></p><p>TYPEFACES AND THEIR STORIES</p><p>4:12:49 Typefaces and Their Stories</p><p>4:15:09 Bembo Humanist Letters</p><p>4:19:07 Didot Enlightened Refinement</p><p>4:23:04 Claredon Type for the Masses</p><p>4:26:59 Futura the Typographic Avant-Garde</p><p>4:31:08 Helvetica International Modern</p><p>4:34:48 Scala Sans Typographic Remix</p><p></p><p>PUTTING TYPE TO WORK</p><p>4:38:31 Working with Type</p><p>4:40:23 Typographic Space</p><p>4:46:19 Page Space</p><p>4:51:29 The Grid </p><p>4:55:35 Creating Hierarchy</p><p>4:58:52 Typographic Conventions</p><p></p><p>MAKING MEANINGFUL TYPE</p><p>5:04:24 Making Meaninful Type</p><p>5:06:43 Typesetting with expression</p><p>5:12:29 Beyond Typesetting </p><p>5:17:26 The Typographic Poster</p><p>---------------------------------</p><p></p><p> Introduction to Imagemaking</p><p></p><p>IMAGE-BASED RESEARCH</p><p>5:21:50 Course Welcome</p><p>5:24:38 Practice </p><p>5:26:01 What Image Do</p><p>5:29:05 Considering the Book (in a graphic design context)</p><p></p><p>MAKING IMAGES</p><p>5:30:56 Making Methods and Techniques</p><p>5:32:54 Denotation & Connotation</p><p>5:35:51 Range of Representation</p><p></p><p>COMPOSITIONAL IS REALATIONAL</p><p>5:38:46 Composition is Relational</p><p>5:39:59 About Hierarchy</p><p>5:41:39 Scale</p><p>5:44:29 Space </p><p>5:48:32 Composition Figure Ground (from introduction to imagemaking)</p><p>5:50:44 Narrative </p><p>5:53:08 Simple Compostion Creating page Spreads</p><p></p><p>DESINNING A BOOK WITH YOUR IMAGES</p><p>5:57:38 Bookishness</p><p>5:58:58 Complex Composition Putting your book together</p><p>6:01:59 Lazy Mom Lazy Wow</p><p>6:10:16 Katharina Pierini sming Books Nights moves</p><p>6:19:43 Laura Owens Hey What</p><p>6:23:53 Laura Owens New Work</p><p>6:36:27 Bruno Munari A Tale of Three Little Birds</p><p>6:42:55 Two simple bookbinding techniques</p><p>-----------------------------------------</p><p></p><p> Ideas from the History of Graphic Design</p><p></p><p>EARLY MASS MARKETING</p><p>6:50:38 Coure Introduction </p><p>6:52:10 Introduction to Early Mass Marketing</p><p>6:53:36 Form Follow Function</p><p>6:58:22 A Democratization of choice</p><p>7:00:58 A Revival of Styles</p><p>7:05:20 Style Mash-up</p><p>7:09:29 An Exaggeration of Type</p><p>7:15:24 Branding </p><p>7:21:12 A Household Name</p><p>7:25:01 Text and Image</p><p>7:30:47 Words Doing the Work</p><p></p><p>THE BAUHAUS</p><p>7:33:42 Introduction to the Bauhaus</p><p>7:35:20 Founding the Bauhaus</p><p>7:41:01 The Founding year</p><p>7:48:00 The Bauhas and Architecture </p><p>7:52:20 Klee, Schlemmer & Albers</p><p>7:57:23 László Moholy-Nagy</p><p>7:59:20 Herbert Bayer</p><p>8:04:46 Color & Image</p><p>8:07:58 Textiles & Ceramics</p><p>8:09:44 Typography</p><p>8:12:23 Publications</p><p></p><p>MODERNISM IN AMERICA</p><p>8:15:31 Introduction to Modernism in America</p><p>8:17:01 The Bauhas Influence</p><p>8:21:55 A Symbolic Language</p><p>8:26:41 Case Study Scope Magazine</p><p>8:27:59 Developing Corporate Identities</p><p>8:31:06 A new subjectivity</p><p>8:34:53 Case Study Fortune Magazine</p><p>8:37:12 Play and Humor</p><p>8:41:58 Case Study The Mechanized Mule brochure</p><p>8:43:32 Duality & Simplicity</p><p>8:48:02 Case Study El Producto Cigars</p><p>8:49:24 Rand's Logo Designs</p><p>8:53:03 A Clear identity</p><p></p><p>GRAPHIC DESIGN RADICALISM</p><p>8:56:34 Introduction to Graphic Design Radicalism</p><p>8:59:36 The Objectivity of Swiss DEsign</p><p>9:05:45 Incorporating abstraction</p><p>9:07:23 Josef Mueller-Brockmann</p><p>9:12:18 The Grid</p><p>9:16:20 Emil Ruder</p><p>9:17:24 Compositional Strategies</p><p>9:19:28 The Subjectivity of Push Pin</p><p>9:25:54 Milton Glaser</p><p>9:31:02 The South </p><p>9:33:39 The Psychedelic Poster and Looking to the Past</p><p>9:41:29 The Diggers</p><p>9:46:56 Sister Corita's Aesthetics</p><p>9:53:31 Sister Corita's Politics</p><p>----------------------------------</p><p></p><p> Brand New Brand</p><p></p><p>IDEATION: INVENT YOUR CLIENT</p><p>9:56:01 Course Welcome</p><p>9:59:58 Overview of Project</p><p>10:05:48 Invent YOur Client</p><p>10:08:08 Fake Your History</p><p>10:10:46 Unpack your adjectives</p><p>10:14:09 The Name Game</p><p></p><p>VISUALIZATION: MAKE YOUR FAKE</p><p>10:21:13 In The Mood</p><p>10:25:55 Developing Your Identity Manual</p><p></p><p>PALLET & LOGOTYPE</p><p>10:27:39 Shapes of Letters, Shapes of Words</p><p>10:32:14 Typographic Skeletons</p><p>10:37:19 Customizing Letters</p><p>10:41:58 Variations and Refinement</p><p>10:45:56 Adding Color</p><p>10:49:31 Adding a Mark Icon</p><p>10:55:29 Adding a Secondary Typeface</p><p>10:58:19 Adding Imagery</p><p>11:00:25 Adding a Secret Ingredient</p><p>11:03:09 Brand Applications and Mock-ups</p><p>11:09:43 Brand Development Guide</p></blockquote><p></p>
[QUOTE="signshop, post: 27684756, member: 358740"] [HEADING=2]Graphic Design Tutorial For Beginners | Graphic Design (Full Course) (11 hours)[/HEADING] [MEDIA=youtube]9QTCvayLhCA[/MEDIA] FUNDAMENTALS OF IMAGEMAKING 0:00:00 Course Welcome 0:03:00 Introduction to Imagemaking 0:05:32 Denotative Imagemaking 1 0:10:23 Denotative Imagemaking 2 0:13:07 Techniques of Imagemaking 1 0:16:03 Techniques of Imagemaking 2 0:18:57 Techniques of Imagemaking 3 0:23:55 Process, Generation, Iteration 0:28:50 Imagemaking Demo 1 Printing with an Object 0:37:14 Imagemaking Demo 2 Duct Tape Prints 0:42:18 Imagemaking Demo 3 Improvised Light Table 0:47:12 Connotative Imagemaking 1 0:52:17 Connotative Imagemaking 2 FUNDAMETALS OF TYPOGRAPHY 0:56:46 Introduction to Typography 0:57:46 The Anatomy of Letters 1:00:45 Words and Spacing 1:03:41 Type Size The Point System 1:07:05 Typesetting Text 1:11:23 Typefaces, Fonts and Type Families 1:15:46 Typeface Categories 1:20:16 Denotation in Type 1:26:58 Connotation in Type 1:36:04 Looking at Letterforms 1:40:15 Experimenting with Letterforms 1:45:39 Typographic Composition FUNDAMENTALS OF SHAPE AND COLOR 1:49:55 Introduction to Shape & color 1:51:36 Graphic Shapes 1:54:33 Visual Constrast 2:00:13 Marks, Icons, and Symbols 2:03:39 Negative Positive, Figure Ground 2:12:15 Working With Color 2:17:17 The Color Wheel 2:21:55 Mixing Color Paint, Print and Screen 2:28:26 Rhythm and Pattern 1 2:33:06 Rhythm and Pattern 2 FUNDAMENTALS OF COMPOSITIONS 2:41:37 Introduction to Composition 2:43:29 Principle of Composition 2:50:40 Visual Contrasts 2:56:41 Single Contrasts 2:59:19 Multiple Contrasts 3:08:34 Type Contrasts 3:13:11 Image Constrasts 3:19:32 Composition in a Single Image 3:25:20 Cropping and Hierarchy 3:35:14 Compositions in Context 3:50:06 Conclusion ------------------------------------ Introduction to Typography TALKING TYPE 3:51:21 Course Welcome 3:53:55 Font Versus Typeface 3:58:28 Stroke and Proportion 4:02:33 Type Anatomy 4:05:11 Measuring Type 4:08:33 Choosing a Typeface TYPEFACES AND THEIR STORIES 4:12:49 Typefaces and Their Stories 4:15:09 Bembo Humanist Letters 4:19:07 Didot Enlightened Refinement 4:23:04 Claredon Type for the Masses 4:26:59 Futura the Typographic Avant-Garde 4:31:08 Helvetica International Modern 4:34:48 Scala Sans Typographic Remix PUTTING TYPE TO WORK 4:38:31 Working with Type 4:40:23 Typographic Space 4:46:19 Page Space 4:51:29 The Grid 4:55:35 Creating Hierarchy 4:58:52 Typographic Conventions MAKING MEANINGFUL TYPE 5:04:24 Making Meaninful Type 5:06:43 Typesetting with expression 5:12:29 Beyond Typesetting 5:17:26 The Typographic Poster --------------------------------- Introduction to Imagemaking IMAGE-BASED RESEARCH 5:21:50 Course Welcome 5:24:38 Practice 5:26:01 What Image Do 5:29:05 Considering the Book (in a graphic design context) MAKING IMAGES 5:30:56 Making Methods and Techniques 5:32:54 Denotation & Connotation 5:35:51 Range of Representation COMPOSITIONAL IS REALATIONAL 5:38:46 Composition is Relational 5:39:59 About Hierarchy 5:41:39 Scale 5:44:29 Space 5:48:32 Composition Figure Ground (from introduction to imagemaking) 5:50:44 Narrative 5:53:08 Simple Compostion Creating page Spreads DESINNING A BOOK WITH YOUR IMAGES 5:57:38 Bookishness 5:58:58 Complex Composition Putting your book together 6:01:59 Lazy Mom Lazy Wow 6:10:16 Katharina Pierini sming Books Nights moves 6:19:43 Laura Owens Hey What 6:23:53 Laura Owens New Work 6:36:27 Bruno Munari A Tale of Three Little Birds 6:42:55 Two simple bookbinding techniques ----------------------------------------- Ideas from the History of Graphic Design EARLY MASS MARKETING 6:50:38 Coure Introduction 6:52:10 Introduction to Early Mass Marketing 6:53:36 Form Follow Function 6:58:22 A Democratization of choice 7:00:58 A Revival of Styles 7:05:20 Style Mash-up 7:09:29 An Exaggeration of Type 7:15:24 Branding 7:21:12 A Household Name 7:25:01 Text and Image 7:30:47 Words Doing the Work THE BAUHAUS 7:33:42 Introduction to the Bauhaus 7:35:20 Founding the Bauhaus 7:41:01 The Founding year 7:48:00 The Bauhas and Architecture 7:52:20 Klee, Schlemmer & Albers 7:57:23 László Moholy-Nagy 7:59:20 Herbert Bayer 8:04:46 Color & Image 8:07:58 Textiles & Ceramics 8:09:44 Typography 8:12:23 Publications MODERNISM IN AMERICA 8:15:31 Introduction to Modernism in America 8:17:01 The Bauhas Influence 8:21:55 A Symbolic Language 8:26:41 Case Study Scope Magazine 8:27:59 Developing Corporate Identities 8:31:06 A new subjectivity 8:34:53 Case Study Fortune Magazine 8:37:12 Play and Humor 8:41:58 Case Study The Mechanized Mule brochure 8:43:32 Duality & Simplicity 8:48:02 Case Study El Producto Cigars 8:49:24 Rand's Logo Designs 8:53:03 A Clear identity GRAPHIC DESIGN RADICALISM 8:56:34 Introduction to Graphic Design Radicalism 8:59:36 The Objectivity of Swiss DEsign 9:05:45 Incorporating abstraction 9:07:23 Josef Mueller-Brockmann 9:12:18 The Grid 9:16:20 Emil Ruder 9:17:24 Compositional Strategies 9:19:28 The Subjectivity of Push Pin 9:25:54 Milton Glaser 9:31:02 The South 9:33:39 The Psychedelic Poster and Looking to the Past 9:41:29 The Diggers 9:46:56 Sister Corita's Aesthetics 9:53:31 Sister Corita's Politics ---------------------------------- Brand New Brand IDEATION: INVENT YOUR CLIENT 9:56:01 Course Welcome 9:59:58 Overview of Project 10:05:48 Invent YOur Client 10:08:08 Fake Your History 10:10:46 Unpack your adjectives 10:14:09 The Name Game VISUALIZATION: MAKE YOUR FAKE 10:21:13 In The Mood 10:25:55 Developing Your Identity Manual PALLET & LOGOTYPE 10:27:39 Shapes of Letters, Shapes of Words 10:32:14 Typographic Skeletons 10:37:19 Customizing Letters 10:41:58 Variations and Refinement 10:45:56 Adding Color 10:49:31 Adding a Mark Icon 10:55:29 Adding a Secondary Typeface 10:58:19 Adding Imagery 11:00:25 Adding a Secret Ingredient 11:03:09 Brand Applications and Mock-ups 11:09:43 Brand Development Guide [/QUOTE]
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