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Message: <blockquote data-quote="vidura99" data-source="post: 7501001" data-attributes="member: 244453"><img src="http://lookpic.com/i/396/Q2FBd2X.jpeg" alt="" class="fr-fic fr-dii fr-draggable " style="" /> Lynda   3ds Max 2010 Lighting and Rendering with  mental ray | 637 Mb Description: 3ds Max 2010 Lighting and Rendering with mental ray  explores one of the most powerful toolsets for photorealistic 3D image  visualization: the mental ray renderer in 3ds Max. Aaron F. Ross shows  how to use mental ray s combination of materials, lighting, and  rendering to achieve a variety of effects, from glossy surfaces to  reflections and transparency. He provides an in depth review of  photometrics and the tools used to adjust lighting in 3ds Max, including  brightness, intensity, and color temperature along with a wide variety  of lighting scenarios. Aaron also devotes time to getting the most out  of mental ray s powerful rendering engine and improving render  efficiency. Exercise files are included with this course.Author: Lynda.comLanguage: EnglishVideo codec: H.246Video:  QuickTime (. MOV), 960 x 540Audio: MPEG 4 AAC, 48000Hz 96 kb / s,  stereo (2 / 0)Duration: 05:43<img src="http://lookpic.com/i/768/bPaUHTIO.jpeg" alt="" class="fr-fic fr-dii fr-draggable " style="" /> <img src="http://lookpic.com/i/725/mkf8lV95.jpeg" alt="" class="fr-fic fr-dii fr-draggable " style="" /> <img src="http://lookpic.com/i/762/dQnW3y21.jpeg" alt="" class="fr-fic fr-dii fr-draggable " style="" /> <img src="http://lookpic.com/i/982/QHaCAbQa.jpeg" alt="" class="fr-fic fr-dii fr-draggable " style="" />IntroductionWelcome  00:55 8.3 MBUsing the exercise files 01:02 1.0 MBSetting a  project folder 03:31 3.8 MB1. ConceptsUnderstanding mental ray  02:44 3.0 MBUnderstanding local illumination 04:09 5.2 MBUnderstanding  global illumination 02:22 2.3 MBAssigning the mental ray renderer  02:11 2.7 MBUsing the rendered frame window controls 02:23 2.9 MB2.  Gamma CorrectionUnderstanding gamma 02:39 2.9 MBRecognizing the  symptoms of incorrect gamma settings 01:55 2.0 MBApplying gamma  correction 01:38 1.8 MB3. Ray TracingUnderstanding raytracing  01:30 1.6 MBLimiting the trace depth of reflections and refractions  03:39 4.2 MBApplying a raytrace reflection map to a standard  material 03:19 4.4 MBApplying a raytrace refraction map to a  standard material 04:55 6.9 MBSetting the index of refraction 02:28  3.8 MBUsing architectural materials for raytraced reflections 03:55  4.8 MB4. TransparencyModeling thin, transparent objects such as  window glass 03:03 6.1 MBDisabling shadows 01:53 2.3 MBSetting  simple transparency 06:05 8.0 MB5. MaterialsUnderstanding the  pros and cons of mental ray materials 03:22 4.4 MBGetting familiar  with the arch & design material 03:54 5.1 MBLearning from the  arch & design templates 04:17 5.3 MBWorking with diffuse color  and diffuse level 03:04 4.1 MBSetting reflectivity and glossiness  07:55 10.2 MBRendering thin wall reflections 03:07 4.6 MBRendering  solid glass 04:56 7.1 MBControlling BRDF 04:36 5.8 MBRendering  translucency 03:17 4.0 MBUsing ProMaterials 04:14 5.5 MB6.  Photometrics and Exposure ControlUnderstanding photometrics 03:56  4.7 MBUnderstanding the importance of modeling to scale 05:39 6.1 MBUsing  free lights 04:32 5.4 MBSelecting photometric templates 03:18 4.1  MBUnderstanding mr photographic exposure control 02:54 3.7 MBAdjusting  brightness with exposure value 02:45 3.8 MBUsing photographic  exposure settings 03:15 4.2 MBUnderstanding color temperature 03:10  3.3 MBSetting the exposure whitepoint 04:52 5.4 MBAdjusting  contrast with exposure image control 04:42 6.7 MB7. Advanced  PhotometricsInstalling and using photometric .IES files 08:02 12.3  MBChoosing a light distribution type 03:10 4.3 MBSetting light  intensity 04:19 5.4 MBUsing target lights 02:37 3.5 MBAdjusting  spotlight hotspot and falloff angles 02:59 4.4 MBEmitting light from  shape 05:13 7.9 MB8. ShadowsUnderstanding the pros and cons of  shadow types 03:34 3.8 MBControlling shadows via object properties  01:30 1.7 MBControlling shadows via light exclusion 02:50 3.8 MBRendering  shadow map shadows 03:34 4.2 MBRendering raytraced shadows 02:46  3.4 MB9. Final GatherUnderstanding final gather 02:33 3.3 MBAdjusting  exposure control for final gather 03:24 4.6 MBSetting initial FG  point density and rays per FG point 04:10 4.8 MBSetting  interpolation and diffuse bounces 03:15 3.6 MBTuning final gather  settings to the scene 02:08 2.2 MBControlling object properties for  final gather 03:53 5.1 MBOptimizing final gather for animations  05:24 7.8 MB10. Sampling QualityControlling render quality with  samples per pixel 04:11 5.3 MBUnderstanding spatial contrast  settings 02:27 2.6 MBUsing filter settings to apply blur for anti  aliasing 03:31 4.2 MB11. Exterior DaylightCreating a daylight  system 02:01 2.3 MBSetting the location, date, and time from the  Motion panel 03:02 3.8 MBChoosing mr sun and mr sky from the Modify  panel 02:03 2.2 MBUnderstanding the mr physical sky environment map  02:18 3.6 MBAdjusting exposure value and image control 03:40 6.0 MBSetting  the exposure whitepoint 01:51 2.1 MBChoosing a sky model 03:24 4.3  MBControlling haze 05:28 7.2 MBWorking with mr sky advanced  parameters 03:25 4.3 MB12. Interior DaylightUnderstanding mr sky  portals 02:37 2.7 MBCreating mr sky portals 02:09 2.6 MBControlling  mr sky portal shadows 04:32 6.4 MB13. Rendering Environment  Backdrops in 3ds MaxUnderstanding the pros and cons of environment  mapping 01:40 2.0 MBAcquiring or creating background images 02:07  2.6 MBModeling a flat image plane backdrop 04:01 4.8 MBIncreasing  map output for use with exposure control 04:34 6.4 MBAdjusting the  color map to color correct the backdrop 06:43 8.3 MBApplying a  LookAt constraint to the image plane 05:46 7.4 MBModeling  cylindrical panorama backgrounds 05:33 11.3 MB14. Compositing  Environment Backdrops in PhotoshopUnderstanding alpha channels 01:11  1.3 MBRendering still images for After Effects or Photoshop 03:06  3.6 MBConverting the alpha channel to a Photoshop layer mask 03:01  3.4 MBUsing Photoshop adjustment layers for color correction 05:09  5.5 MB15. Ambient Occlusion in Arch & Design MaterialsUnderstanding  ambient occlusion 02:05 2.2 MBEnabling AO in the arch & design  material 01:53 2.6 MBUsing color from other materials 01:50 2.4 MBSetting  ambient occlusion parameters 03:46 5.4 MB16. Scene Wide Ambient  OcclusionUnderstanding the need for a  poor man s global  illumination  02:50 3.0 MBCreating a standard omni light at the  origin 01:51 2.1 MBSetting intensity and enabling ambient only 01:56  2.5 MBCreating an ambient/reflective occlusion map 02:51 4.4 MBAdjusting  type and samples 01:07 1.5 MBSetting bright and dark 02:44 3.5 MBUnderstanding  spread 01:40 2.2 MBSetting max distance and falloff 03:08 3.6 MBExcluding  transparent and self illuminated objects 04:07 5.8 MB17. Volume  LightsUnderstanding atmospheres 01:00 1.2 MBAdding a volume  light atmosphere 01:28 2.3 MBSetting exposure physical scale to   unitless  01:23 2.0 MBAdjusting volume light parameters 01:56 3.0 MBAdding  noise to the volume light 02:26 3.6 MB18. Lens EffectsUnderstanding  lens effects 00:51 1.0 MBAdding a lens effect to a light 03:19 4.9  MBAdjusting lens effect globals 01:40 2.2 MBSetting glow element  parameters 02:14 2.9 MBAdding a star element 02:13 3.0 MBConclusionGoodbye  00:10 0.2 MBSystem requirements:* Internet Explorer 6.0 or  above, Firefox 3.0 or above, or Safari 2.0 or above.(Users of 64 bit  Internet Explorer 7, please try a different browser)* javascript  and Cookies must also be enabled.* Apple QuickTime 7.5 or above.  (Mac Safari users please download QuickTime 7.5.5 or newer to avoid  problems with captioning)* Microsoft Windows XP SP2, Microsoft  Windows Vista, Macintosh OS X or Linux.Software works on: Windows  only. 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