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Message: <blockquote data-quote="IKL" data-source="post: 28434128" data-attributes="member: 567503">Violence at Noon 1966*- So far, it's the same method. You're the only witness. If you describe him, we can create a clear profile.- He was about 5'8". Strong. Long face, square jaw. His right eye had a double lid. Is he really the high noon attacker?**- You can bet on it. He's done it four times this month. Yamaguchi, Hiroshima, Okayama, Hyogo. This is his 11th reported crime. There are probably more rape cases that have gone unreported.<img src="https://i.imgur.com/Cv2yBAe.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" />- A corpse is no longer human. It's just a thing. What's wrong with having my way with it?- You're a monster.- Yes, I'm.<img src="https://i.imgur.com/AGvDwul.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" />- So Eisuke told you? When did he tell you? Did you forgive him?- I wonder why he did it.- If that had been all, I'd have forgiven him and married him.- Married him? But Eisuke married me. He chose me.- He didn't love you.- He did love me. In his way.- Then settle it yourself. Put a stop to his crimes.- It may end, and it may not.- He might do it again. Even now, as we speak.- That's up to you. Tell the police. Do as you wish.- Eisuke is your husband. You loved him. You still do.- Yes. But love can't change people.- Why not?- If I had known that, I wouldn't have married him. Many women were murdered by the high noon attacker. They didn't even know Eisuke's name or what he was. I knew him well and even married him. Yet I'm still alive. I can't decide whether I love him or hate him.*original title·····白昼の通り魔 (Hakuchū no tōrima)language·········Japanese**Based on a true story of a serial killer who terrorized <a href="https://www.google.com/search?client=firefox-b-d&q=Kansai+Region+in+Japan" target="_blank">Kansai</a> region in japan around 1957. The film portrays on the reactions and recollections of the serial killer's wife and his mistress. Directer uses this story to analyze the failures of the <a href="https://www.ide.go.jp/English/Search/result.html?cx=017478955533769994456%3A6h5i3wdxmue&ie=UTF-8&q=postwar&sa=Search" target="_blank">postwar period in Japan</a> as regards to a lost idealism and decay in morals more so than to elicit an exciting manhunt. On the human side, it's more a strangely drawn out victim study of failed love, repression and a guilt trip.Directed by <a href="https://www.google.com/search?client=firefox-b-d&q=nagisa+oshima+filmography" target="_blank">Nagisa</a> Ōshima (<a href="https://elakiri.com/threads/elakiri%E0%B6%BA%E0%B7%9A-film-%E0%B6%B4%E0%B7%92%E0%B6%9A%E0%B7%8A%E0%B6%9A%E0%B7%9C-set-%E0%B6%91%E0%B6%9A-%F0%9F%8E%AC.2018042/page-31#post-28400973" target="_blank">Death by Hanging 1968</a>)<a href="https://yts.unblockit.pet/torrent/download/0B819FF8C88FCC5D1440FBDEFFB565401223E9E9" target="_blank"><img src="https://i.imgur.com/2kJSoUS.png" alt="" class="fr-fic fr-dii fr-draggable " style="" /></a></blockquote>

Verification: Hath warak paha keeyada? (hatha wadikireema paha)

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