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Message: <blockquote data-quote="IKL" data-source="post: 29397328" data-attributes="member: 567503">The Murders in the Rue Morgue 1986*<img src="https://i.ibb.co/ThWV9hJ/vlc.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" />- So, doors leading from here to the hallway, and from the kitchen, were securely locked. The key's inside. No one could have escaped through the windows of the front room without the notice of the crowd in the street, agreed? Not even a cat could have passed through at the top of the chimney. What does that leave us?- The windows, but that's impossible. The police said the windows are nailed shut.- We must disprove the impossible. It has to be the windows. The murderers could not have refashioned the sash from the inside. Therefore, the sashes must have the ability to refashion themselves. oh, a spring. Anyone passing through the window would have re closed it and the spring would have caught.- But the nail could not have been replaced. It must be the other window then. Look the nail, It's broken. Astonishing.- Logical. Entirely logical.- Yes, but how could the killer descend? More importantly, how could he get up there in the first place?- Do you remember our walk behind the house up the alley? That lightning rod, Phillipe, roughly about five feet from the very window we've been discussing. look at the shudder. At right angles to the building, the lower half presents an excellent handhold. And when fully open, it's only about two feet from the gutter and the lightning rod.- But who could have climbed up that lightning rod and swung across the shutter and into an open window four flights up?- An extraordinary individual, yes. Let's consider two facts. First, the amazing agility needed, and second, the peculiar, shrill voice about whose nationality no two witnesses could agree. Consider the room itself, total disarray, clothes strewn all over the desk, the mattress tossed as though with ease across the room, and 4,000 francs, abandoned gold all over the floor. You know, Phillipe, the reason the police have had such difficulty establishing a motive is because there is no motive. And what do you have then? What?- A murder of such anger, brutality, the violence involved. A mad man escaped from the asylum?- Not an entirely irrelevant guess. What do you make of this? I found it in the chimney.- Well, hair is the color of the young woman. But this is much too coarse, hardly the hair of a young woman.- Now, examine this sketch of a hand. The spread of the fingers matches the marks on corpse's throat.- Good god.<img src="https://i.ibb.co/YTQDPNb/vl.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" />"We must move quickly. I have every reason to believe that he's living near the Rue Morgue in a natural habitat, the Bourg. I suggest a slow sweep through the woods at arm's length. This is not your common criminal. Have your men watch the trees, as well as the ground"*An adaptation of the first detective fiction story,<a href="https://poemuseum.org/the-murders-in-the-rue-morgue/" target="_blank"> The Murders in the Rue Morgue (1841), by Edgar Allan Poe</a>.Directed by Jeannot Szwarc (Bug 1975, Jaws 2 1978)<a href="https://yts.mx/torrent/download/832C4BB318BC3DA650F7453C3DD3479DC183DC1F" target="_blank"><img src="https://i.imgur.com/2kJSoUS.png" alt="" class="fr-fic fr-dii fr-draggable " style="" /></a></blockquote>

Verification: Nawa warak dahaya keeyada? (Namaya wadi kireema dahaya)

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