SHAKESPEARE WORKS

shakespeare

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    The Complete Works of William Shakespeare
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    Welcome to the Web's first edition of the Complete Works of William Shakespeare. This site has offered Shakespeare's plays and poetry to the Internet community since 1993.​
    Announcement: The restoration of the site following a disk failure has been delayed. The text of the plays is available now. The poetry and other services, including the search engine and forums, will return shortly. (Nov. 13, 2000)
     

    shakespeare

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    For other Shakespeare resources, visit the Mr. William Shakespeare and the Internet Web site.

    The original electronic source for this server is the Complete Moby(tm) Shakespeare, which is freely available online. The HTML versions of the plays provided here are placed in the public domain.
     

    shakespeare

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    Comedy

    All's Well That Ends Well
    As You Like It
    The Comedy of Errors
    Cymbeline
    Love's Labours Lost
    Measure for Measure
    The Merry Wives of Windsor
    The Merchant of Venice
    A Midsummer Night's Dream
    Much Ado About Nothing
    Pericles, Prince of Tyre
    Taming of the Shrew
    The Tempest
    Troilus and Cressida
    Twelfth Night
    Two Gentlemen of Verona
    Winter's Tale
     

    shakespeare

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    SCENE I. Orchard of Oliver's house.

    Enter ORLANDO and ADAM
    ORLANDO
    As I remember, Adam, it was upon this fashion
    bequeathed me by will but poor a thousand crowns,
    and, as thou sayest, charged my brother, on his
    blessing, to breed me well: and there begins my
    sadness. My brother Jaques he keeps at school, and
    report speaks goldenly of his profit: for my part,
    he keeps me rustically at home, or, to speak more
    properly, stays me here at home unkept; for call you
    that keeping for a gentleman of my birth, that
    differs not from the stalling of an ox? His horses
    are bred better; for, besides that they are fair
    with their feeding, they are taught their manage,
    and to that end riders dearly hired: but I, his
    brother, gain nothing under him but growth; for the
    which his animals on his dunghills are as much
    bound to him as I. Besides this nothing that he so
    plentifully gives me, the something that nature gave
    me his countenance seems to take from me: he lets
    me feed with his hinds, bars me the place of a
    brother, and, as much as in him lies, mines my
    gentility with my education. This is it, Adam, that
    grieves me; and the spirit of my father, which I
    think is within me, begins to mutiny against this
    servitude: I will no longer endure it, though yet I
    know no wise remedy how to avoid it.
    ADAM
    Yonder comes my master, your brother.
    ORLANDO
    Go apart, Adam, and thou shalt hear how he will
    shake me up.
    Enter OLIVER
    OLIVER
    Now, sir! what make you here?
    ORLANDO
    Nothing: I am not taught to make any thing.
    OLIVER
    What mar you then, sir?
    ORLANDO
    Marry, sir, I am helping you to mar that which God
    made, a poor unworthy brother of yours, with idleness.
    OLIVER
    Marry, sir, be better employed, and be naught awhile.
    ORLANDO
    Shall I keep your hogs and eat husks with them?
    What prodigal portion have I spent, that I should
    come to such penury?
    OLIVER
    Know you where your are, sir?
    ORLANDO
    O, sir, very well; here in your orchard.
    OLIVER
    Know you before whom, sir?
    ORLANDO
    Ay, better than him I am before knows me. I know
    you are my eldest brother; and, in the gentle
    condition of blood, you should so know me. The
    courtesy of nations allows you my better, in that
    you are the first-born; but the same tradition
    takes not away my blood, were there twenty brothers
    betwixt us: I have as much of my father in me as
    you; albeit, I confess, your coming before me is
    nearer to his reverence.
    OLIVER
    What, boy!
    ORLANDO
    Come, come, elder brother, you are too young in this.
    OLIVER
    Wilt thou lay hands on me, villain?
    ORLANDO
    I am no villain; I am the youngest son of Sir
    Rowland de Boys; he was my father, and he is thrice
    a villain that says such a father begot villains.
    Wert thou not my brother, I would not take this hand
    from thy throat till this other had pulled out thy
    tongue for saying so: thou hast railed on thyself.
    ADAM
    Sweet masters, be patient: for your father's
    remembrance, be at accord.
    OLIVER
    Let me go, I say.
    ORLANDO
    I will not, till I please: you shall hear me. My
    father charged you in his will to give me good
    education: you have trained me like a peasant,
    obscuring and hiding from me all gentleman-like
    qualities. The spirit of my father grows strong in
    me, and I will no longer endure it: therefore allow
    me such exercises as may become a gentleman, or
    give me the poor allottery my father left me by
    testament; with that I will go buy my fortunes.
    OLIVER
    And what wilt thou do? beg, when that is spent?
    Well, sir, get you in: I will not long be troubled
    with you; you shall have some part of your will: I
    pray you, leave me.
    ORLANDO
    I will no further offend you than becomes me for my good.
    OLIVER
    Get you with him, you old dog.
    ADAM
    Is 'old dog' my reward? Most true, I have lost my
    teeth in your service. God be with my old master!
    he would not have spoke such a word.
    Exeunt ORLANDO and ADAM
    OLIVER
    Is it even so? begin you to grow upon me? I will
    physic your rankness, and yet give no thousand
    crowns neither. Holla, Dennis!
    Enter DENNIS
    DENNIS
    Calls your worship?
    OLIVER
    Was not Charles, the duke's wrestler, here to speak with me?
    DENNIS
    So please you, he is here at the door and importunes
    access to you.
    OLIVER
    Call him in.
    Exit DENNIS
    'Twill be a good way; and to-morrow the wrestling is.
    Enter CHARLES
    CHARLES
    Good morrow to your worship.
    OLIVER
    Good Monsieur Charles, what's the new news at the
    new court?
    CHARLES
    There's no news at the court, sir, but the old news:
    that is, the old duke is banished by his younger
    brother the new duke; and three or four loving lords
    have put themselves into voluntary exile with him,
    whose lands and revenues enrich the new duke;
    therefore he gives them good leave to wander.
    OLIVER
    Can you tell if Rosalind, the duke's daughter, be
    banished with her father?
    CHARLES
    O, no; for the duke's daughter, her cousin, so loves
    her, being ever from their cradles bred together,
    that she would have followed her exile, or have died
    to stay behind her. She is at the court, and no
    less beloved of her uncle than his own daughter; and
    never two ladies loved as they do.
    OLIVER
    Where will the old duke live?
    CHARLES
    They say he is already in the forest of Arden, and
    a many merry men with him; and there they live like
    the old Robin Hood of England: they say many young
    gentlemen flock to him every day, and fleet the time
    carelessly, as they did in the golden world.
    OLIVER
    What, you wrestle to-morrow before the new duke?
    CHARLES
    Marry, do I, sir; and I came to acquaint you with a
    matter. I am given, sir, secretly to understand
    that your younger brother Orlando hath a disposition
    to come in disguised against me to try a fall.
    To-morrow, sir, I wrestle for my credit; and he that
    escapes me without some broken limb shall acquit him
    well. Your brother is but young and tender; and,
    for your love, I would be loath to foil him, as I
    must, for my own honour, if he come in: therefore,
    out of my love to you, I came hither to acquaint you
    withal, that either you might stay him from his
    intendment or brook such disgrace well as he shall
    run into, in that it is a thing of his own search
    and altogether against my will.
    OLIVER
    Charles, I thank thee for thy love to me, which
    thou shalt find I will most kindly requite. I had
    myself notice of my brother's purpose herein and
    have by underhand means laboured to dissuade him from
    it, but he is resolute. I'll tell thee, Charles:
    it is the stubbornest young fellow of France, full
    of ambition, an envious emulator of every man's
    good parts, a secret and villanous contriver against
    me his natural brother: therefore use thy
    discretion; I had as lief thou didst break his neck
    as his finger. And thou wert best look to't; for if
    thou dost him any slight disgrace or if he do not
    mightily grace himself on thee, he will practise
    against thee by poison, entrap thee by some
    treacherous device and never leave thee till he
    hath ta'en thy life by some indirect means or other;
    for, I assure thee, and almost with tears I speak
    it, there is not one so young and so villanous this
    day living. I speak but brotherly of him; but
    should I anatomize him to thee as he is, I must
    blush and weep and thou must look pale and wonder.
    CHARLES
    I am heartily glad I came hither to you. If he come
    to-morrow, I'll give him his payment: if ever he go
    alone again, I'll never wrestle for prize more: and
    so God keep your worship!
    OLIVER
    Farewell, good Charles.
    Exit CHARLES
    Now will I stir this gamester: I hope I shall see
    an end of him; for my soul, yet I know not why,
    hates nothing more than he. Yet he's gentle, never
    schooled and yet learned, full of noble device, of
    all sorts enchantingly beloved, and indeed so much
    in the heart of the world, and especially of my own
    people, who best know him, that I am altogether
    misprised: but it shall not be so long; this
    wrestler shall clear all: nothing remains but that
    I kindle the boy thither; which now I'll go about.
    Exit
     

    shakespeare

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    SCENE II. Lawn before the Duke's palace.

    Enter CELIA and ROSALIND
    CELIA
    I pray thee, Rosalind, sweet my coz, be merry.
    ROSALIND
    Dear Celia, I show more mirth than I am mistress of;
    and would you yet I were merrier? Unless you could
    teach me to forget a banished father, you must not
    learn me how to remember any extraordinary pleasure.
    CELIA
    Herein I see thou lovest me not with the full weight
    that I love thee. If my uncle, thy banished father,
    had banished thy uncle, the duke my father, so thou
    hadst been still with me, I could have taught my
    love to take thy father for mine: so wouldst thou,
    if the truth of thy love to me were so righteously
    tempered as mine is to thee.
    ROSALIND
    Well, I will forget the condition of my estate, to
    rejoice in yours.
    CELIA
    You know my father hath no child but I, nor none is
    like to have: and, truly, when he dies, thou shalt
    be his heir, for what he hath taken away from thy
    father perforce, I will render thee again in
    affection; by mine honour, I will; and when I break
    that oath, let me turn monster: therefore, my
    sweet Rose, my dear Rose, be merry.
    ROSALIND
    From henceforth I will, coz, and devise sports. Let
    me see; what think you of falling in love?
    CELIA
    Marry, I prithee, do, to make sport withal: but
    love no man in good earnest; nor no further in sport
    neither than with safety of a pure blush thou mayst
    in honour come off again.
    ROSALIND
    What shall be our sport, then?
    CELIA
    Let us sit and mock the good housewife Fortune from
    her wheel, that her gifts may henceforth be bestowed equally.
    ROSALIND
    I would we could do so, for her benefits are
    mightily misplaced, and the bountiful blind woman
    doth most mistake in her gifts to women.
    CELIA
    'Tis true; for those that she makes fair she scarce
    makes honest, and those that she makes honest she
    makes very ill-favouredly.
    ROSALIND
    Nay, now thou goest from Fortune's office to
    Nature's: Fortune reigns in gifts of the world,
    not in the lineaments of Nature.
    Enter TOUCHSTONE
    CELIA
    No? when Nature hath made a fair creature, may she
    not by Fortune fall into the fire? Though Nature
    hath given us wit to flout at Fortune, hath not
    Fortune sent in this fool to cut off the argument?
    ROSALIND
    Indeed, there is Fortune too hard for Nature, when
    Fortune makes Nature's natural the cutter-off of
    Nature's wit.
    CELIA
    Peradventure this is not Fortune's work neither, but
    Nature's; who perceiveth our natural wits too dull
    to reason of such goddesses and hath sent this
    natural for our whetstone; for always the dulness of
    the fool is the whetstone of the wits. How now,
    wit! whither wander you?
    TOUCHSTONE
    Mistress, you must come away to your father.
    CELIA
    Were you made the messenger?
    TOUCHSTONE
    No, by mine honour, but I was bid to come for you.
    ROSALIND
    Where learned you that oath, fool?
    TOUCHSTONE
    Of a certain knight that swore by his honour they
    were good pancakes and swore by his honour the
    mustard was naught: now I'll stand to it, the
    pancakes were naught and the mustard was good, and
    yet was not the knight forsworn.
    CELIA
    How prove you that, in the great heap of your
    knowledge?
    ROSALIND
    Ay, marry, now unmuzzle your wisdom.
    TOUCHSTONE
    Stand you both forth now: stroke your chins, and
    swear by your beards that I am a knave.
    CELIA
    By our beards, if we had them, thou art.
    TOUCHSTONE
    By my knavery, if I had it, then I were; but if you
    swear by that that is not, you are not forsworn: no
    more was this knight swearing by his honour, for he
    never had any; or if he had, he had sworn it away
    before ever he saw those pancakes or that mustard.
    CELIA
    Prithee, who is't that thou meanest?
    TOUCHSTONE
    One that old Frederick, your father, loves.
    CELIA
    My father's love is enough to honour him: enough!
    speak no more of him; you'll be whipped for taxation
    one of these days.
    TOUCHSTONE
    The more pity, that fools may not speak wisely what
    wise men do foolishly.
    CELIA
    By my troth, thou sayest true; for since the little
    wit that fools have was silenced, the little foolery
    that wise men have makes a great show. Here comes
    Monsieur Le Beau.
    ROSALIND
    With his mouth full of news.
    CELIA
    Which he will put on us, as pigeons feed their young.
    ROSALIND
    Then shall we be news-crammed.
    CELIA
    All the better; we shall be the more marketable.
    Enter LE BEAU
    Bon jour, Monsieur Le Beau: what's the news?
    LE BEAU
    Fair princess, you have lost much good sport.
    CELIA
    Sport! of what colour?
    LE BEAU
    What colour, madam! how shall I answer you?
    ROSALIND
    As wit and fortune will.
    TOUCHSTONE
    Or as the Destinies decree.
    CELIA
    Well said: that was laid on with a trowel.
    TOUCHSTONE
    Nay, if I keep not my rank,--
    ROSALIND
    Thou losest thy old smell.
    LE BEAU
    You amaze me, ladies: I would have told you of good
    wrestling, which you have lost the sight of.
    ROSALIND
    You tell us the manner of the wrestling.
    LE BEAU
    I will tell you the beginning; and, if it please
    your ladyships, you may see the end; for the best is
    yet to do; and here, where you are, they are coming
    to perform it.
    CELIA
    Well, the beginning, that is dead and buried.
    LE BEAU
    There comes an old man and his three sons,--
    CELIA
    I could match this beginning with an old tale.
    LE BEAU
    Three proper young men, of excellent growth and presence.
    ROSALIND
    With bills on their necks, 'Be it known unto all men
    by these presents.'
    LE BEAU
    The eldest of the three wrestled with Charles, the
    duke's wrestler; which Charles in a moment threw him
    and broke three of his ribs, that there is little
    hope of life in him: so he served the second, and
    so the third. Yonder they lie; the poor old man,
    their father, making such pitiful dole over them
    that all the beholders take his part with weeping.
    ROSALIND
    Alas!
    TOUCHSTONE
    But what is the sport, monsieur, that the ladies
    have lost?
    LE BEAU
    Why, this that I speak of.
    TOUCHSTONE
    Thus men may grow wiser every day: it is the first
    time that ever I heard breaking of ribs was sport
    for ladies.
    CELIA
    Or I, I promise thee.
    ROSALIND
    But is there any else longs to see this broken music
    in his sides? is there yet another dotes upon
    rib-breaking? Shall we see this wrestling, cousin?
    LE BEAU
    You must, if you stay here; for here is the place
    appointed for the wrestling, and they are ready to
    perform it.
    CELIA
    Yonder, sure, they are coming: let us now stay and see it.
    Flourish. Enter DUKE FREDERICK, Lords, ORLANDO, CHARLES, and Attendants
    DUKE FREDERICK
    Come on: since the youth will not be entreated, his
    own peril on his forwardness.
    ROSALIND
    Is yonder the man?
    LE BEAU
    Even he, madam.
    CELIA
    Alas, he is too young! yet he looks successfully.
    DUKE FREDERICK
    How now, daughter and cousin! are you crept hither
    to see the wrestling?
    ROSALIND
    Ay, my liege, so please you give us leave.
    DUKE FREDERICK
    You will take little delight in it, I can tell you;
    there is such odds in the man. In pity of the
    challenger's youth I would fain dissuade him, but he
    will not be entreated. Speak to him, ladies; see if
    you can move him.
    CELIA
    Call him hither, good Monsieur Le Beau.
    DUKE FREDERICK
    Do so: I'll not be by.
    LE BEAU
    Monsieur the challenger, the princesses call for you.
    ORLANDO
    I attend them with all respect and duty.
    ROSALIND
    Young man, have you challenged Charles the wrestler?
    ORLANDO
    No, fair princess; he is the general challenger: I
    come but in, as others do, to try with him the
    strength of my youth.
    CELIA
    Young gentleman, your spirits are too bold for your
    years. You have seen cruel proof of this man's
    strength: if you saw yourself with your eyes or
    knew yourself with your judgment, the fear of your
    adventure would counsel you to a more equal
    enterprise. We pray you, for your own sake, to
    embrace your own safety and give over this attempt.
    ROSALIND
    Do, young sir; your reputation shall not therefore
    be misprised: we will make it our suit to the duke
    that the wrestling might not go forward.
    ORLANDO
    I beseech you, punish me not with your hard
    thoughts; wherein I confess me much guilty, to deny
    so fair and excellent ladies any thing. But let
    your fair eyes and gentle wishes go with me to my
    trial: wherein if I be foiled, there is but one
    shamed that was never gracious; if killed, but one
    dead that was willing to be so: I shall do my
    friends no wrong, for I have none to lament me, the
    world no injury, for in it I have nothing; only in
    the world I fill up a place, which may be better
    supplied when I have made it empty.
    ROSALIND
    The little strength that I have, I would it were with you.
    CELIA
    And mine, to eke out hers.
    ROSALIND
    Fare you well: pray heaven I be deceived in you!
    CELIA
    Your heart's desires be with you!
    CHARLES
    Come, where is this young gallant that is so
    desirous to lie with his mother earth?
    ORLANDO
    Ready, sir; but his will hath in it a more modest working.
    DUKE FREDERICK
    You shall try but one fall.
    CHARLES
    No, I warrant your grace, you shall not entreat him
    to a second, that have so mightily persuaded him
    from a first.
    ORLANDO
    An you mean to mock me after, you should not have
    mocked me before: but come your ways.
    ROSALIND
    Now Hercules be thy speed, young man!
    CELIA
    I would I were invisible, to catch the strong
    fellow by the leg.
    They wrestle
    ROSALIND
    O excellent young man!
    CELIA
    If I had a thunderbolt in mine eye, I can tell who
    should down.
    Shout. CHARLES is thrown
    DUKE FREDERICK
    No more, no more.
    ORLANDO
    Yes, I beseech your grace: I am not yet well breathed.
    DUKE FREDERICK
    How dost thou, Charles?
    LE BEAU
    He cannot speak, my lord.
    DUKE FREDERICK
    Bear him away. What is thy name, young man?
    ORLANDO
    Orlando, my liege; the youngest son of Sir Rowland de Boys.
    DUKE FREDERICK
    I would thou hadst been son to some man else:
    The world esteem'd thy father honourable,
    But I did find him still mine enemy:
    Thou shouldst have better pleased me with this deed,
    Hadst thou descended from another house.
    But fare thee well; thou art a gallant youth:
    I would thou hadst told me of another father.
    Exeunt DUKE FREDERICK, train, and LE BEAU
    CELIA
    Were I my father, coz, would I do this?
    ORLANDO
    I am more proud to be Sir Rowland's son,
    His youngest son; and would not change that calling,
    To be adopted heir to Frederick.
    ROSALIND
    My father loved Sir Rowland as his soul,
    And all the world was of my father's mind:
    Had I before known this young man his son,
    I should have given him tears unto entreaties,
    Ere he should thus have ventured.
    CELIA
    Gentle cousin,
    Let us go thank him and encourage him:
    My father's rough and envious disposition
    Sticks me at heart. Sir, you have well deserved:
    If you do keep your promises in love
    But justly, as you have exceeded all promise,
    Your mistress shall be happy.
    ROSALIND
    Gentleman,
    Giving him a chain from her neck
    Wear this for me, one out of suits with fortune,
    That could give more, but that her hand lacks means.
    Shall we go, coz?
    CELIA
    Ay. Fare you well, fair gentleman.
    ORLANDO
    Can I not say, I thank you? My better parts
    Are all thrown down, and that which here stands up
    Is but a quintain, a mere lifeless block.
    ROSALIND
    He calls us back: my pride fell with my fortunes;
    I'll ask him what he would. Did you call, sir?
    Sir, you have wrestled well and overthrown
    More than your enemies.
    CELIA
    Will you go, coz?
    ROSALIND
    Have with you. Fare you well.
    Exeunt ROSALIND and CELIA
    ORLANDO
    What passion hangs these weights upon my tongue?
    I cannot speak to her, yet she urged conference.
    O poor Orlando, thou art overthrown!
    Or Charles or something weaker masters thee.
    Re-enter LE BEAU
    LE BEAU
    Good sir, I do in friendship counsel you
    To leave this place. Albeit you have deserved
    High commendation, true applause and love,
    Yet such is now the duke's condition
    That he misconstrues all that you have done.
    The duke is humorous; what he is indeed,
    More suits you to conceive than I to speak of.
    ORLANDO
    I thank you, sir: and, pray you, tell me this:
    Which of the two was daughter of the duke
    That here was at the wrestling?
    LE BEAU
    Neither his daughter, if we judge by manners;
    But yet indeed the lesser is his daughter
    The other is daughter to the banish'd duke,
    And here detain'd by her usurping uncle,
    To keep his daughter company; whose loves
    Are dearer than the natural bond of sisters.
    But I can tell you that of late this duke
    Hath ta'en displeasure 'gainst his gentle niece,
    Grounded upon no other argument
    But that the people praise her for her virtues
    And pity her for her good father's sake;
    And, on my life, his malice 'gainst the lady
    Will suddenly break forth. Sir, fare you well:
    Hereafter, in a better world than this,
    I shall desire more love and knowledge of you.
    ORLANDO
    I rest much bounden to you: fare you well.
    Exit LE BEAU
    Thus must I from the smoke into the smother;
    From tyrant duke unto a tyrant brother:
    But heavenly Rosalind!
    Exit
     

    shakespeare

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    ~~NeVeRLaND~~
    SCENE III. A room in the palace.

    Enter CELIA and ROSALIND
    CELIA
    Why, cousin! why, Rosalind! Cupid have mercy! not a word?
    ROSALIND
    Not one to throw at a dog.
    CELIA
    No, thy words are too precious to be cast away upon
    curs; throw some of them at me; come, lame me with reasons.
    ROSALIND
    Then there were two cousins laid up; when the one
    should be lamed with reasons and the other mad
    without any.
    CELIA
    But is all this for your father?
    ROSALIND
    No, some of it is for my child's father. O, how
    full of briers is this working-day world!
    CELIA
    They are but burs, cousin, thrown upon thee in
    holiday foolery: if we walk not in the trodden
    paths our very petticoats will catch them.
    ROSALIND
    I could shake them off my coat: these burs are in my heart.
    CELIA
    Hem them away.
    ROSALIND
    I would try, if I could cry 'hem' and have him.
    CELIA
    Come, come, wrestle with thy affections.
    ROSALIND
    O, they take the part of a better wrestler than myself!
    CELIA
    O, a good wish upon you! you will try in time, in
    despite of a fall. But, turning these jests out of
    service, let us talk in good earnest: is it
    possible, on such a sudden, you should fall into so
    strong a liking with old Sir Rowland's youngest son?
    ROSALIND
    The duke my father loved his father dearly.
    CELIA
    Doth it therefore ensue that you should love his son
    dearly? By this kind of chase, I should hate him,
    for my father hated his father dearly; yet I hate
    not Orlando.
    ROSALIND
    No, faith, hate him not, for my sake.
    CELIA
    Why should I not? doth he not deserve well?
    ROSALIND
    Let me love him for that, and do you love him
    because I do. Look, here comes the duke.
    CELIA
    With his eyes full of anger.
    Enter DUKE FREDERICK, with Lords
    DUKE FREDERICK
    Mistress, dispatch you with your safest haste
    And get you from our court.
    ROSALIND
    Me, uncle?
    DUKE FREDERICK
    You, cousin
    Within these ten days if that thou be'st found
    So near our public court as twenty miles,
    Thou diest for it.
    ROSALIND
    I do beseech your grace,
    Let me the knowledge of my fault bear with me:
    If with myself I hold intelligence
    Or have acquaintance with mine own desires,
    If that I do not dream or be not frantic,--
    As I do trust I am not--then, dear uncle,
    Never so much as in a thought unborn
    Did I offend your highness.
    DUKE FREDERICK
    Thus do all traitors:
    If their purgation did consist in words,
    They are as innocent as grace itself:
    Let it suffice thee that I trust thee not.
    ROSALIND
    Yet your mistrust cannot make me a traitor:
    Tell me whereon the likelihood depends.
    DUKE FREDERICK
    Thou art thy father's daughter; there's enough.
    ROSALIND
    So was I when your highness took his dukedom;
    So was I when your highness banish'd him:
    Treason is not inherited, my lord;
    Or, if we did derive it from our friends,
    What's that to me? my father was no traitor:
    Then, good my liege, mistake me not so much
    To think my poverty is treacherous.
    CELIA
    Dear sovereign, hear me speak.
    DUKE FREDERICK
    Ay, Celia; we stay'd her for your sake,
    Else had she with her father ranged along.
    CELIA
    I did not then entreat to have her stay;
    It was your pleasure and your own remorse:
    I was too young that time to value her;
    But now I know her: if she be a traitor,
    Why so am I; we still have slept together,
    Rose at an instant, learn'd, play'd, eat together,
    And wheresoever we went, like Juno's swans,
    Still we went coupled and inseparable.
    DUKE FREDERICK
    She is too subtle for thee; and her smoothness,
    Her very silence and her patience
    Speak to the people, and they pity her.
    Thou art a fool: she robs thee of thy name;
    And thou wilt show more bright and seem more virtuous
    When she is gone. Then open not thy lips:
    Firm and irrevocable is my doom
    Which I have pass'd upon her; she is banish'd.
    CELIA
    Pronounce that sentence then on me, my liege:
    I cannot live out of her company.
    DUKE FREDERICK
    You are a fool. You, niece, provide yourself:
    If you outstay the time, upon mine honour,
    And in the greatness of my word, you die.
    Exeunt DUKE FREDERICK and Lords
    CELIA
    O my poor Rosalind, whither wilt thou go?
    Wilt thou change fathers? I will give thee mine.
    I charge thee, be not thou more grieved than I am.
    ROSALIND
    I have more cause.
    CELIA
    Thou hast not, cousin;
    Prithee be cheerful: know'st thou not, the duke
    Hath banish'd me, his daughter?
    ROSALIND
    That he hath not.
    CELIA
    No, hath not? Rosalind lacks then the love
    Which teacheth thee that thou and I am one:
    Shall we be sunder'd? shall we part, sweet girl?
    No: let my father seek another heir.
    Therefore devise with me how we may fly,
    Whither to go and what to bear with us;
    And do not seek to take your change upon you,
    To bear your griefs yourself and leave me out;
    For, by this heaven, now at our sorrows pale,
    Say what thou canst, I'll go along with thee.
    ROSALIND
    Why, whither shall we go?
    CELIA
    To seek my uncle in the forest of Arden.
    ROSALIND
    Alas, what danger will it be to us,
    Maids as we are, to travel forth so far!
    Beauty provoketh thieves sooner than gold.
    CELIA
    I'll put myself in poor and mean attire
    And with a kind of umber smirch my face;
    The like do you: so shall we pass along
    And never stir assailants.
    ROSALIND
    Were it not better,
    Because that I am more than common tall,
    That I did suit me all points like a man?
    A gallant curtle-axe upon my thigh,
    A boar-spear in my hand; and--in my heart
    Lie there what hidden woman's fear there will--
    We'll have a swashing and a martial outside,
    As many other mannish cowards have
    That do outface it with their semblances.
    CELIA
    What shall I call thee when thou art a man?
    ROSALIND
    I'll have no worse a name than Jove's own page;
    And therefore look you call me Ganymede.
    But what will you be call'd?
    CELIA
    Something that hath a reference to my state
    No longer Celia, but Aliena.
    ROSALIND
    But, cousin, what if we assay'd to steal
    The clownish fool out of your father's court?
    Would he not be a comfort to our travel?
    CELIA He'll go along o'er the wide world with me;
    Leave me alone to woo him. Let's away,
    And get our jewels and our wealth together,
    Devise the fittest time and safest way
    To hide us from pursuit that will be made
    After my flight. Now go we in content
    To liberty and not to banishment.
    Exeunt
     

    shakespeare

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    ~~NeVeRLaND~~
    SCENE I. The Forest of Arden.

    Enter DUKE SENIOR, AMIENS, and two or three Lords, like foresters
    DUKE SENIOR
    Now, my co-mates and brothers in exile,
    Hath not old custom made this life more sweet
    Than that of painted pomp? Are not these woods
    More free from peril than the envious court?
    Here feel we but the penalty of Adam,
    The seasons' difference, as the icy fang
    And churlish chiding of the winter's wind,
    Which, when it bites and blows upon my body,
    Even till I shrink with cold, I smile and say
    'This is no flattery: these are counsellors
    That feelingly persuade me what I am.'
    Sweet are the uses of adversity,
    Which, like the toad, ugly and venomous,
    Wears yet a precious jewel in his head;
    And this our life exempt from public haunt
    Finds tongues in trees, books in the running brooks,
    Sermons in stones and good in every thing.
    I would not change it.
    AMIENS
    Happy is your grace,
    That can translate the stubbornness of fortune
    Into so quiet and so sweet a style.
    DUKE SENIOR
    Come, shall we go and kill us venison?
    And yet it irks me the poor dappled fools,
    Being native burghers of this desert city,
    Should in their own confines with forked heads
    Have their round haunches gored.
    First Lord
    Indeed, my lord,
    The melancholy Jaques grieves at that,
    And, in that kind, swears you do more usurp
    Than doth your brother that hath banish'd you.
    To-day my Lord of Amiens and myself
    Did steal behind him as he lay along
    Under an oak whose antique root peeps out
    Upon the brook that brawls along this wood:
    To the which place a poor sequester'd stag,
    That from the hunter's aim had ta'en a hurt,
    Did come to languish, and indeed, my lord,
    The wretched animal heaved forth such groans
    That their discharge did stretch his leathern coat
    Almost to bursting, and the big round tears
    Coursed one another down his innocent nose
    In piteous chase; and thus the hairy fool
    Much marked of the melancholy Jaques,
    Stood on the extremest verge of the swift brook,
    Augmenting it with tears.
    DUKE SENIOR
    But what said Jaques?
    Did he not moralize this spectacle?
    First Lord
    O, yes, into a thousand similes.
    First, for his weeping into the needless stream;
    'Poor deer,' quoth he, 'thou makest a testament
    As worldlings do, giving thy sum of more
    To that which had too much:' then, being there alone,
    Left and abandon'd of his velvet friends,
    ''Tis right:' quoth he; 'thus misery doth part
    The flux of company:' anon a careless herd,
    Full of the pasture, jumps along by him
    And never stays to greet him; 'Ay' quoth Jaques,
    'Sweep on, you fat and greasy citizens;
    'Tis just the fashion: wherefore do you look
    Upon that poor and broken bankrupt there?'
    Thus most invectively he pierceth through
    The body of the country, city, court,
    Yea, and of this our life, swearing that we
    Are mere usurpers, tyrants and what's worse,
    To fright the animals and to kill them up
    In their assign'd and native dwelling-place.
    DUKE SENIOR
    And did you leave him in this contemplation?
    Second Lord
    We did, my lord, weeping and commenting
    Upon the sobbing deer.
    DUKE SENIOR
    Show me the place:
    I love to cope him in these sullen fits,
    For then he's full of matter.
    First Lord
    I'll bring you to him straight.
    Exeunt
     

    shakespeare

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    ~~NeVeRLaND~~
    SCENE II. A room in the palace.

    Enter DUKE FREDERICK, with Lords
    DUKE FREDERICK
    Can it be possible that no man saw them?
    It cannot be: some villains of my court
    Are of consent and sufferance in this.
    First Lord
    I cannot hear of any that did see her.
    The ladies, her attendants of her chamber,
    Saw her abed, and in the morning early
    They found the bed untreasured of their mistress.
    Second Lord
    My lord, the roynish clown, at whom so oft
    Your grace was wont to laugh, is also missing.
    Hisperia, the princess' gentlewoman,
    Confesses that she secretly o'erheard
    Your daughter and her cousin much commend
    The parts and graces of the wrestler
    That did but lately foil the sinewy Charles;
    And she believes, wherever they are gone,
    That youth is surely in their company.
    DUKE FREDERICK
    Send to his brother; fetch that gallant hither;
    If he be absent, bring his brother to me;
    I'll make him find him: do this suddenly,
    And let not search and inquisition quail
    To bring again these foolish runaways.
    Exeunt
     

    shakespeare

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    ~~NeVeRLaND~~
    SCENE III. Before OLIVER'S house.

    Enter ORLANDO and ADAM, meeting
    ORLANDO
    Who's there?
    ADAM
    What, my young master? O, my gentle master!
    O my sweet master! O you memory
    Of old Sir Rowland! why, what make you here?
    Why are you virtuous? why do people love you?
    And wherefore are you gentle, strong and valiant?
    Why would you be so fond to overcome
    The bonny priser of the humorous duke?
    Your praise is come too swiftly home before you.
    Know you not, master, to some kind of men
    Their graces serve them but as enemies?
    No more do yours: your virtues, gentle master,
    Are sanctified and holy traitors to you.
    O, what a world is this, when what is comely
    Envenoms him that bears it!
    ORLANDO
    Why, what's the matter?
    ADAM
    O unhappy youth!
    Come not within these doors; within this roof
    The enemy of all your graces lives:
    Your brother--no, no brother; yet the son--
    Yet not the son, I will not call him son
    Of him I was about to call his father--
    Hath heard your praises, and this night he means
    To burn the lodging where you use to lie
    And you within it: if he fail of that,
    He will have other means to cut you off.
    I overheard him and his practises.
    This is no place; this house is but a butchery:
    Abhor it, fear it, do not enter it.
    ORLANDO
    Why, whither, Adam, wouldst thou have me go?
    ADAM
    No matter whither, so you come not here.
    ORLANDO
    What, wouldst thou have me go and beg my food?
    Or with a base and boisterous sword enforce
    A thievish living on the common road?
    This I must do, or know not what to do:
    Yet this I will not do, do how I can;
    I rather will subject me to the malice
    Of a diverted blood and bloody brother.
    ADAM
    But do not so. I have five hundred crowns,
    The thrifty hire I saved under your father,
    Which I did store to be my foster-nurse
    When service should in my old limbs lie lame
    And unregarded age in corners thrown:
    Take that, and He that doth the ravens feed,
    Yea, providently caters for the sparrow,
    Be comfort to my age! Here is the gold;
    And all this I give you. Let me be your servant:
    Though I look old, yet I am strong and lusty;
    For in my youth I never did apply
    Hot and rebellious liquors in my blood,
    Nor did not with unbashful forehead woo
    The means of weakness and debility;
    Therefore my age is as a lusty winter,
    Frosty, but kindly: let me go with you;
    I'll do the service of a younger man
    In all your business and necessities.
    ORLANDO
    O good old man, how well in thee appears
    The constant service of the antique world,
    When service sweat for duty, not for meed!
    Thou art not for the fashion of these times,
    Where none will sweat but for promotion,
    And having that, do choke their service up
    Even with the having: it is not so with thee.
    But, poor old man, thou prunest a rotten tree,
    That cannot so much as a blossom yield
    In lieu of all thy pains and husbandry
    But come thy ways; well go along together,
    And ere we have thy youthful wages spent,
    We'll light upon some settled low content.
    ADAM
    Master, go on, and I will follow thee,
    To the last gasp, with truth and loyalty.
    From seventeen years till now almost fourscore
    Here lived I, but now live here no more.
    At seventeen years many their fortunes seek;
    But at fourscore it is too late a week:
    Yet fortune cannot recompense me better
    Than to die well and not my master's debtor.
    Exeunt
     

    shakespeare

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  • Oct 18, 2008
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    ~~NeVeRLaND~~
    SCENE IV. The Forest of Arden.

    Enter ROSALIND for Ganymede, CELIA for Aliena, and TOUCHSTONE
    ROSALIND
    O Jupiter, how weary are my spirits!
    TOUCHSTONE
    I care not for my spirits, if my legs were not weary.
    ROSALIND
    I could find in my heart to disgrace my man's
    apparel and to cry like a woman; but I must comfort
    the weaker vessel, as doublet and hose ought to show
    itself courageous to petticoat: therefore courage,
    good Aliena!
    CELIA
    I pray you, bear with me; I cannot go no further.
    TOUCHSTONE
    For my part, I had rather bear with you than bear
    you; yet I should bear no cross if I did bear you,
    for I think you have no money in your purse.
    ROSALIND
    Well, this is the forest of Arden.
    TOUCHSTONE
    Ay, now am I in Arden; the more fool I; when I was
    at home, I was in a better place: but travellers
    must be content.
    ROSALIND
    Ay, be so, good Touchstone.
    Enter CORIN and SILVIUS
    Look you, who comes here; a young man and an old in
    solemn talk.
    CORIN
    That is the way to make her scorn you still.
    SILVIUS
    O Corin, that thou knew'st how I do love her!
    CORIN
    I partly guess; for I have loved ere now.
    SILVIUS
    No, Corin, being old, thou canst not guess,
    Though in thy youth thou wast as true a lover
    As ever sigh'd upon a midnight pillow:
    But if thy love were ever like to mine--
    As sure I think did never man love so--
    How many actions most ridiculous
    Hast thou been drawn to by thy fantasy?
    CORIN
    Into a thousand that I have forgotten.
    SILVIUS
    O, thou didst then ne'er love so heartily!
    If thou remember'st not the slightest folly
    That ever love did make thee run into,
    Thou hast not loved:
    Or if thou hast not sat as I do now,
    Wearying thy hearer in thy mistress' praise,
    Thou hast not loved:
    Or if thou hast not broke from company
    Abruptly, as my passion now makes me,
    Thou hast not loved.
    O Phebe, Phebe, Phebe!
    Exit
    ROSALIND
    Alas, poor shepherd! searching of thy wound,
    I have by hard adventure found mine own.
    TOUCHSTONE
    And I mine. I remember, when I was in love I broke
    my sword upon a stone and bid him take that for
    coming a-night to Jane Smile; and I remember the
    kissing of her batlet and the cow's dugs that her
    pretty chopt hands had milked; and I remember the
    wooing of a peascod instead of her, from whom I took
    two cods and, giving her them again, said with
    weeping tears 'Wear these for my sake.' We that are
    true lovers run into strange capers; but as all is
    mortal in nature, so is all nature in love mortal in folly.
    ROSALIND
    Thou speakest wiser than thou art ware of.
    TOUCHSTONE
    Nay, I shall ne'er be ware of mine own wit till I
    break my shins against it.
    ROSALIND
    Jove, Jove! this shepherd's passion
    Is much upon my fashion.
    TOUCHSTONE
    And mine; but it grows something stale with me.
    CELIA
    I pray you, one of you question yond man
    If he for gold will give us any food:
    I faint almost to death.
    TOUCHSTONE
    Holla, you clown!
    ROSALIND
    Peace, fool: he's not thy kinsman.
    CORIN
    Who calls?
    TOUCHSTONE
    Your betters, sir.
    CORIN
    Else are they very wretched.
    ROSALIND
    Peace, I say. Good even to you, friend.
    CORIN
    And to you, gentle sir, and to you all.
    ROSALIND
    I prithee, shepherd, if that love or gold
    Can in this desert place buy entertainment,
    Bring us where we may rest ourselves and feed:
    Here's a young maid with travel much oppress'd
    And faints for succor.
    CORIN
    Fair sir, I pity her
    And wish, for her sake more than for mine own,
    My fortunes were more able to relieve her;
    But I am shepherd to another man
    And do not shear the fleeces that I graze:
    My master is of churlish disposition
    And little recks to find the way to heaven
    By doing deeds of hospitality:
    Besides, his cote, his flocks and bounds of feed
    Are now on sale, and at our sheepcote now,
    By reason of his absence, there is nothing
    That you will feed on; but what is, come see.
    And in my voice most welcome shall you be.
    ROSALIND
    What is he that shall buy his flock and pasture?
    CORIN
    That young swain that you saw here but erewhile,
    That little cares for buying any thing.
    ROSALIND
    I pray thee, if it stand with honesty,
    Buy thou the cottage, pasture and the flock,
    And thou shalt have to pay for it of us.
    CELIA
    And we will mend thy wages. I like this place.
    And willingly could waste my time in it.
    CORIN
    Assuredly the thing is to be sold:
    Go with me: if you like upon report
    The soil, the profit and this kind of life,
    I will your very faithful feeder be
    And buy it with your gold right suddenly.
    Exeunt
     

    shakespeare

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    ~~NeVeRLaND~~
    SCENE V. The Forest.

    Enter AMIENS, JAQUES, and others
    SONG.
    AMIENS
    Under the greenwood tree
    Who loves to lie with me,
    And turn his merry note
    Unto the sweet bird's throat,
    Come hither, come hither, come hither:
    Here shall he see No enemy
    But winter and rough weather.
    JAQUES
    More, more, I prithee, more.
    AMIENS
    It will make you melancholy, Monsieur Jaques.
    JAQUES
    I thank it. More, I prithee, more. I can suck
    melancholy out of a song, as a weasel sucks eggs.
    More, I prithee, more.
    AMIENS
    My voice is ragged: I know I cannot please you.
    JAQUES
    I do not desire you to please me; I do desire you to
    sing. Come, more; another stanzo: call you 'em stanzos?
    AMIENS
    What you will, Monsieur Jaques.
    JAQUES
    Nay, I care not for their names; they owe me
    nothing. Will you sing?
    AMIENS
    More at your request than to please myself.
    JAQUES
    Well then, if ever I thank any man, I'll thank you;
    but that they call compliment is like the encounter
    of two dog-apes, and when a man thanks me heartily,
    methinks I have given him a penny and he renders me
    the beggarly thanks. Come, sing; and you that will
    not, hold your tongues.
    AMIENS
    Well, I'll end the song. Sirs, cover the while; the
    duke will drink under this tree. He hath been all
    this day to look you.
    JAQUES
    And I have been all this day to avoid him. He is
    too disputable for my company: I think of as many
    matters as he, but I give heaven thanks and make no
    boast of them. Come, warble, come.
    SONG.
    Who doth ambition shun
    All together here
    And loves to live i' the sun,
    Seeking the food he eats
    And pleased with what he gets,
    Come hither, come hither, come hither:
    Here shall he see No enemy
    But winter and rough weather.
    JAQUES
    I'll give you a verse to this note that I made
    yesterday in despite of my invention.
    AMIENS
    And I'll sing it.
    JAQUES
    Thus it goes:--
    If it do come to pass
    That any man turn ass,
    Leaving his wealth and ease,
    A stubborn will to please,
    Ducdame, ducdame, ducdame:
    Here shall he see
    Gross fools as he,
    An if he will come to me.
    AMIENS
    What's that 'ducdame'?
    JAQUES
    'Tis a Greek invocation, to call fools into a
    circle. I'll go sleep, if I can; if I cannot, I'll
    rail against all the first-born of Egypt.
    AMIENS
    And I'll go seek the duke: his banquet is prepared.
    Exeunt severally
     

    shakespeare

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    ~~NeVeRLaND~~
    SCENE VI. The forest.

    Enter ORLANDO and ADAM
    ADAM
    Dear master, I can go no further. O, I die for food!
    Here lie I down, and measure out my grave. Farewell,
    kind master.
    ORLANDO
    Why, how now, Adam! no greater heart in thee? Live
    a little; comfort a little; cheer thyself a little.
    If this uncouth forest yield any thing savage, I
    will either be food for it or bring it for food to
    thee. Thy conceit is nearer death than thy powers.
    For my sake be comfortable; hold death awhile at
    the arm's end: I will here be with thee presently;
    and if I bring thee not something to eat, I will
    give thee leave to die: but if thou diest before I
    come, thou art a mocker of my labour. Well said!
    thou lookest cheerly, and I'll be with thee quickly.
    Yet thou liest in the bleak air: come, I will bear
    thee to some shelter; and thou shalt not die for
    lack of a dinner, if there live any thing in this
    desert. Cheerly, good Adam!
    Exeunt